Thursday, 2 August 2012

Beautiful Girls Wallpapers Free Download

Source:- Google.com.pk
Beautiful Girls Wallpapers Free Download Biography
Lisa "Elle" Fowler (born May 25, 1988)[1] and Laura Elizabeth "Blair" Fowler (born April 1, 1993)[2] are sisters who post beauty and style-related tutorials on YouTube under the monikers AllThatGlitters21 (Elle) and juicystar07 (Blair). Elle first stumbled into the beauty and fashion world of YouTube the summer of 2008, and soon convinced Blair to begin filming videos as well. Their videos of makeup tutorials and clothing hauls quickly garnered a large audience and rose in popularity. As of July 2011, Elle's videos on AllThatGlitters21 have been viewed more than 82 million times, while Blair's channel juicystar07 has received over 142 million views.[3][4]
Both sisters also post vlogs under the monikers EllesGlitterGossip and otherjuicystar07, allowing subscribers to keep track of their daily lives outside of the YouTube community.[5] Their respective second YouTube channels move away from purely beauty and fashion-related videos and branch into other topics such as health & fitness, their daily musings, and other random interests.[6][7]
Contents  [hide]
1 Backgrounds
2 YouTube career
3 References
4 External links
[edit]Backgrounds

Elle Fowler was born Lisa Sylvia Fowler on May 25, 1988 to Dr. Scott Fowler, a physician, OB/GYN, with Holston Medical Group, and Melisa Fowler.[8] Elle is the eldest of three: Blair Fowler was born Laura Elizabeth Fowler on April 1, 1993 in Augusta, Georgia and the family's youngest, "Hannah Fowler" born Emily Fowler, was born several years later.[1][9] After Blair's fifth birthday, the family relocated from New Orleans to Kingsport, Tennessee,[10] where Blair attended Dobyns-Bennett High School.[8]
They recently moved to Los Angeles, California. A joint video gained over 500,000 views,[11] and by August 2010 they together had 130 million views combined on all of their videos.[12] They have appeared in Seventeen, where Elle had previously interned, as a Beauty and Hair Smarties. The sisters have also appeared in teen fashion magazine, Teen Vogue. Most recently, the two created an online lifestyle website titled elleandblair.com.[13] In 2011, Blair was the youngest ever makeup artist at New York City Fashion Week, where she and Elle also modelled in a show.[14] In 2010 they signed an agreement with Kinectic Content to star in a reality TV show.[15][1][2]
[edit]YouTube career

Elle and Blair got their first exposure outside of YouTube when Seventeen invited them to become "Beauty Smarties" for the magazine, featuring them in a few issues so they could offer makeup tips to readers. Their first media appearance came not long after, when Good Morning America interviewed them for a segment on hauling. Elle said in the interview, "I think it's really fun for a girl to live vicariously through someone else and see what other cute girls that they relate to are buying." According to the segment, their YouTube careers have become so successful that Blair had to leave high school and become homeschooled, allowing her more time to focus on her videos.[16] Elle and Blair are at the forefront of the "hauling" phenomenon, and have been featured in a number of news segments and interviews on the subject after their Good Morning America appearance. They were featured on a KTLA segment on hauling alongside macbarbie07, a friend of Blair's and fellow beauty guru. The girls claimed to have a combined number of 1,720,000 subscribers, and Elle pointed out that a watch she showed in a video sold out almost immediately after mentioned it—a testament to the popularity of their videos. Another KTLA segment featuring Elle and Blair pointed out that despite their growing number of fans, they've also encountered a great deal of backlash. "The Fowler sisters have gotten lots of criticism for being fake and for hiding the fact that they were being compensated by some of these big companies."[17] Other segments have also been critical of the hauling trend, using Elle and Blair's videos as examples of how haul videos have become extremely influential and may fuel shopping addiction and cultural idealizations of consumption and materialism.[18]
With features in Marie Claire,[19] Glamour,[20] Seventeen,[8] and other national publications, as well as prominent news outlets such as Good Morning America, ABC News with Diane Sawyer,[21] the New York Times Style Section[22] and the Wall Street Journal, Elle and Blair Fowler have a wide-reaching influence.
In 2011, Blair was contacted by Disney and offered a background role as Leah in Prom. This was Blair's first film role, and she is not sure whether or not she would like to pursue acting. However, she and her sister are currently working on other projects, including a cell phone accessory line, a reality television show and a book.[23] She ended up taking the role of leah in one of the films scenes.
Elle and Blair currently serve as the hosts and main judges of the webseries, Beauty Vlogger Boot Camp. The show revolves around young men and women who are aspiring to be online gurus. Contestants compete in a beauty-related challenge in each episode, with one person getting eliminated before the next round begins.[24]
In May 2012, Elle and Blair announced that, in conjunction with Blush.com, they would be releasing their first makeup line called Skylark. The sisters have said that the products with be released as soon as they are completed which is due to be Fall 2012. The first 2 products to be released will be 2 lip glosses named after the 2 main characters from their forthcoming novel "Beneath The Glitter", Ava and Sophia.
The sisters were nominated as a duo for the 2011 Teen Choice Awards' "Choice Web Star" category, but lost to Rebecca Black. They were nominated again for a 2012 Teen Choice Award in the "Web Star" category but lost to Sophia Grace and Rosie.
Beautiful Girls Wallpapers Free Download
Beautiful Girls Wallpapers Free Download
Beautiful Girls Wallpapers Free Download
Beautiful Girls Wallpapers Free Download
Beautiful Girls Wallpapers Free Download
Beautiful Girls Wallpapers Free Download
Beautiful Girls Wallpapers Free Download
Beautiful Girls Wallpapers Free Download
Beautiful Girls Wallpapers Free Download
40 Beautiful Girls HD Wallpapers
Beautiful Asian Girls Wallpapers

Celebrity Girls Wallpaper

Source:- Google.com.pk
Celebrity Girls Wallpaper Biography
Gwen Renée Stefani ( /stɛˈfɑːni/; born October 3, 1969) is an American singer-songwriter and fashion designer. Stefani is the lead vocalist for the rock and ska band No Doubt. Stefani recorded Love. Angel. Music. Baby., her first solo album, in 2004. The album was inspired by music of the 1980s[2] and was a success with sales of over seven million copies.[3] The album's third single, "Hollaback Girl", was the first US digital download to sell one million copies.[4] Stefani's second and final solo studio album, The Sweet Escape (2006), yielded "Wind It Up", "4 in the Morning", and the highest-selling single "The Sweet Escape". Including her work with No Doubt, Stefani has sold more than forty million albums worldwide.[5] She won the World's Best-Selling New Female Artist at the World Music Awards 2005.
In 2003, she debuted her clothing line L.A.M.B. and expanded her collection with the 2005 Harajuku Lovers line, drawing inspiration from Japanese culture and fashion. Stefani performs and makes public appearances with four back-up dancers known as the Harajuku Girls dancers. She married British grunge musician Gavin Rossdale in 2002 and they have two sons: Kingston James McGregor Rossdale, born May 26, 2006, and Zuma Nesta Rock Rossdale, born August 20, 2008. Billboard magazine named Stefani the fifty-fourth artist and thirty-seventh Hot 100 artist of the 2000–09 decade.[6][7]
Contents  [hide]
1 Early life
2 Career
2.1 1986–2004: No Doubt
2.2 2004–06: Love. Angel. Music. Baby. and Acting debut
2.3 2006-08: The Sweet Escape, L.A.M.B and Motherhood
2.4 2008–present: Return to No Doubt
3 Artistry
3.1 Vocal ability and influences
3.2 Image and Harajuku Girls
4 Philanthropy
5 Discography
6 Tours
7 Filmography
8 See also
9 References
10 External links
[edit]Early life

Stefani was born and raised in Fullerton, California,[8] and grew up in a Roman Catholic household. She attended Loara High School in Anaheim, California.[9] She was named after a stewardess in the 1968 novel Airport, and her middle name, Renée, comes from The Four Tops' 1968 cover of The Left Banke's 1966 hit song "Walk Away Renée".[10] Her father, Dennis Stefani, is Italian American and worked as a Yamaha marketing executive.[11] Her mother, Patti (née Flynn), is of Irish and Scottish descent and worked as an accountant before becoming a homemaker.[11][12] Gwen's parents were fans of folk music and exposed her to music by artists like Bob Dylan and Emmylou Harris.[9] She is the second oldest of four children: she has a younger sister, Jill Stefani, a younger brother, Todd, and an older brother, Eric.[9][12] Eric was the keyboardist for No Doubt; he left the band to pursue a career in animation on The Simpsons on the Fox TV network.[8]
Many of the women in Stefani's family were seamstresses, and much of her clothing was made by them or her mother. In school, she was diagnosed with dyslexia and ADHD, which she's been medicated for ever since.[13] As a child, Stefani's musical interests consisted of musicals such as The Sound of Music and Evita. After making a demo tape for her father, she was encouraged to take music lessons to train her "loopy, unpredictable" voice. Stefani made her onstage debut during a talent show at Loara High School, where she sang "I Have Confidence", from The Sound of Music, in a self-made tweed dress inspired by one from the film.[1][3] Stefani was on the Loara swim team in an attempt to lose weight.[14] She first worked at a Dairy Queen and later manned the MAC makeup counter of a department store.[15] After graduating from high school in 1987,[1] she began attending Fullerton College before transferring to California State University, Fullerton.[16]
[edit]Career

[edit]1986–2004: No Doubt
Main article: No Doubt
Eric introduced Gwen to 2 Tone music by Madness and The Selecter, and in 1986 he invited her to provide vocals for No Doubt, a ska band he was forming.[8] Finally, in 1991, the band was signed to Interscope Records. She also was a featured artist for Sublime on their song "Saw Red", notably before either No Doubt's breakthrough success in 1995 or Sublime's the following year. The band released its self-titled debut album in 1992, but its ska-pop sound was unsuccessful due to the popularity of grunge.[17] Stefani rejected the aggressiveness of female grunge artists and cited Blondie singer Debbie Harry's combination of power and sex appeal as a major influence.[18] No Doubt's third album, Tragic Kingdom (1995), which followed the self-released The Beacon Street Collection (1995), took more than three years to make. Soon after Stefani joined No Doubt, she and bandmate Tony Kanal began dating.[16] Stefani stated that she was heavily invested in the relationship, commenting that "...all I ever did was look at Tony and pray that God would let me have a baby with him."[1] During this time, the band almost split up because of the failed romantic relationship between Stefani and Kanal.[19] Kanal ended the relationship.[20] Their break-up inspired Stefani lyrically, and many of the album's songs, such as "Don't Speak", "Sunday Morning", and "Hey You", chronicle the ups and downs of their relationship.[21] Five singles were released from Tragic Kingdom and "Don't Speak" led 1996's US year-end airplay chart.[22] Stefani left college for one semester to tour for Tragic Kingdom but did not return when touring lasted two and a half years.[9] The album sold more than sixteen million copies worldwide,[9] and received several Grammy Award nominations.[23]
No Doubt released the less popular Return of Saturn in 2000, which expands upon the New Wave influences of Tragic Kingdom.[24] Most of the lyrical content focuses on Stefani's often rocky relationship with then-Bush frontman Gavin Rossdale and her overall insecurities, including indecision on settling down and having a child.[25] The band's 2001 album, Rock Steady, explored more reggae and dancehall sounds, while maintaining the band's New Wave influences, and generally received positive reviews.[26] The album generated career-highest singles chart positions in the United States,[27] and "Hey Baby" and "Underneath It All" received Grammy Awards. A greatest hits collection, The Singles 1992–2003, which includes a cover of Talk Talk's "It's My Life", was released in 2003 to moderate sales. Before the mainstream success of both No Doubt and Sublime, Stefani contributed guest vocals to "Saw Red" on Sublime's 1994 album Robbin' the Hood. During the time when No Doubt was receiving mainstream success, Stefani has collaborated on the singles "South Side" and "Let Me Blow Ya Mind" with Moby and Eve, respectively. In 2002, Eve and Stefani won a Grammy Award for Best Rap/Sung Collaboration for "Let Me Blow Ya Mind".[28] She also collaborated with The Brian Setzer Orchestra on a cover of "You're the Boss", originally performed by Elvis Presley and Ann-Margret, for its 1998 album The Dirty Boogie.
Stefani made most of the clothing that she wore on stage with No Doubt, resulting in increasingly eclectic combinations. Stylist Andrea Lieberman introduced her to haute couture clothing, which led to Stefani launching a fashion line named L.A.M.B. in 2004.[9] The line takes influence from a variety of fashions, including Guatemalan, Japanese, and Jamaican styles.[29] The line achieved popularity among celebrities and is worn by stars such as Teri Hatcher, Nicole Kidman, and Stefani herself.[30][31] In June 2005, she expanded her collection with the less expensive Harajuku Lovers line, which she referred to as "a glorified merchandise line", with varied products including a camera, mobile phone charms, and undergarments.[32][33] In late 2006, Stefani released a limited edition line of dolls called "Love. Angel. Music. Baby. Fashion dolls". The dolls are inspired by the various costumes that Stefani and the Harajuku Girls wore while touring for the album.[34] In late summer 2007, Stefani launched a perfume, L, as a part of her L.A.M.B. collection of clothing and accessories. The perfume has high notes of sweet pea and rose.[35] In September 2008, Stefani released a fragrance line as a part of her Harajuku Lovers product line. There are five different fragrances based on the four Harajuku Girls and Stefani herself called Love, Lil' Angel, Music, Baby and G (Gwen).[36]
[edit]2004–06: Love. Angel. Music. Baby. and Acting debut
Following No Doubt's hiatus, Stefani sought out her former bandmate Tony Kanal to discuss the possibility of a solo career. The idea was to make a quick dance record, but this became a large collaboration with other artists, producers and various non-ska influences. The result was two successful albums. Currently, Stefani has two solo albums, Love. Angel. Music. Baby. (2004), and The Sweet Escape (2006), with combined sales of nearly twenty million copies.[37]

"Hollaback Girl" (2005)

The song's beats and composition are based around a drum machine, piano and saxophone. It became Stefani's first US number-one single.
"Cool" (2005)

The song features a 1980s musical-style with new wave production. It topped the Canadian Singles Chart.
Problems listening to these files? See media help.


Stefani performing "Hollaback Girl" in November 2005
Stefani's debut solo album Love. Angel. Music. Baby. was released in November 2004. The album features a large number of collaborations with producers and other artists, including Tony Kanal, Linda Perry, André 3000, Nellee Hooper, The Neptunes and New Order. Stefani created the album to modernize the music to which she listened when in high school, and L.A.M.B. takes influence from a variety of music styles of the 1980s and early 1990s such as New Wave and electro.[38] Stefani's decision to use her solo career as an opportunity to delve further into pop music instead of trying "to convince the world of [her] talent, depth and artistic worth" was considered unusual.[2] As a result, reviews of the album were mixed, and it was described as "fun as hell but [...] not exactly rife with subversive social commentary."[39] The album debuted on the US Billboard 200 albums chart at number seven, selling 309,000 copies in its first week.[40] It sold well, reaching multi-platinum status in the United States,[11] the United Kingdom,[41] Australia,[42] and Canada.[43] At the 2005 Grammy Awards, Stefani was nominated for Best Female Pop Vocal Performance for "What You Waiting For?",[44] and at the next year's awards, Stefani received five nominations for Record of the Year, Album of the Year, Best Female Pop Vocal Performance, Best Pop Vocal Album, and Best Rap/Sung Collaboration.[45] The first single released from the album was "What You Waiting For?", which charted outside the US top forty,[46] but reached the top ten on most other charts.[47] The song served to explain why Stefani produced a solo album and discusses her fears in leaving No Doubt for a solo career[48] as well as her desire to have a baby.[49] "Rich Girl" was released as the album's second single. A duet with rapper Eve, and produced by Dr. Dre, it is an adaptation of a 1990s pop song by British musicians Louchie Lou & Michie One, which itself is a cover of "If I Were a Rich Man", from the musical Fiddler on the Roof. "Rich Girl" proved successful on several formats, and reached the US and UK top ten.[46][50]
L.A.M.B.'s third single "Hollaback Girl" became Stefani's first US and second Australian number-one single; it was less successful elsewhere.[46][51] The song was the first US digital download to sell more than one million copies legally, and its brass-driven composition remained popular throughout 2005.[4] The fourth single "Cool" was released shortly following the popularity of its predecessor, but failed to match its chart success, reaching the top twenty in US and UK.[46][50] The song's lyrics and its accompanying music video, filmed in Lake Como, Italy, depict Stefani's former relationship with Kanal.[52] "Luxurious" was released as the album's fifth single, but did not perform as well as its predecessors. "Crash" was released in early 2006 as the album's sixth single in lieu of Love. Angel. Music. Baby.'s sequel, which Stefani postponed because of her pregnancy.[53]
During mid-1995, No Doubt and rock band Goo Goo Dolls went on tour opening for alternative rock band Bush. Stefani met Bush guitarist and lead singer Gavin Rossdale.[18] They married on September 14, 2002, with a wedding in St Paul's, Covent Garden, London. A second wedding was held in Los Angeles two weeks later.[54] According to Stefani, it was held so that she could wear her custom-designed wedding dress by John Galliano twice.[55] A paternity test in 2004 revealed that Rossdale had a daughter, Daisy Lowe (who was fifteen years old then), from a previous relationship with model and designer Pearl Lowe. Stefani was "devastated and infuriated" at the discovery, leading to a rocky patch in her relationship with Rossdale.[56] Though Rossdale remains Daisy's godfather, he has severed all ties with the Lowes.[57][58] Stefani's song "Danger Zone" was widely believed to be about the discovery and its aftermath,[59] which has proven to be impossible because the song was written prior to the incident.[11]
In 2004, Stefani showed interest in making film appearances and began auditioning for films such as Mr. & Mrs. Smith.[60] She made her acting debut playing Jean Harlow in Martin Scorsese's The Aviator in 2004 and was nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture the following year.[61] Scorsese, whose daughter was a No Doubt fan, showed reciprocal interest in casting Stefani after seeing her picture from a Marilyn Monroe-inspired photo shoot for Teen Vogue in 2003.[62][63] To prepare for the role, Stefani read two biographies and watched eighteen of Harlow's films.[9] Shooting her part took four to five days, and Stefani had few lines.[64] Stefani lent her voice to the title character of the 2004 video game Malice; before completion, however, the company opted not to use No Doubt band members' voices.[65]

"Wind It Up" (2006)

The lead single was critically panned, in part because of its interpolation of "The Lonely Goatherd" from The Sound of Music.
"The Sweet Escape" (2007)

The doowop-inspired title track performed well on the charts worldwide.
Problems listening to these files? See media help.
[edit]2006-08: The Sweet Escape, L.A.M.B and Motherhood


Stefani performing "Wind It Up" in May 2007
Stefani's second solo album, The Sweet Escape, was recorded by Guy Charbonneau's Le Mobile Remote Recording Studio and released in December 2006.[66] Stefani recollaborated with Kanal, Perry, and The Neptunes, along with Akon and Tim Rice-Oxley from English rock band Keane. The album focuses more heavily on electronic and dance music for clubs than its predecessor.[11] Stefani commented that it differed from L.A.M.B. because "I just wasn't inspired to do another album and…I was a lot more relaxed making it."[67] Its release coincided with the DVD release of Stefani's first tour, entitled Harajuku Lovers Live. The album received mixed reviews by critics, who found that it "has a surprisingly moody, lightly autobiographical feel... [but] Stefani isn't convincing as a dissatisfied diva"[68] and called the album a "hasty return" that repeats Love. Angel. Music. Baby. with less energy.[69]
"Wind It Up", the album's lead single, was panned by critics for its use of yodeling and an interpolation of The Sound of Music,[70] but was moderately successful, reaching the top twenty in most markets.[71] The title track was well received. To promote The Sweet Escape, Stefani was a mentor on the sixth season of American Idol and performed the song with Akon. It became Stefani's most successful song of her solo career and earned her a Grammy Award nomination for Best Pop Collaboration with Vocals.[72] In November 2006, the club single "Yummy" was released as a three-track maxi promo single and as a 12" vinyl single,[73][74] both featuring a radio edit, an instrumental and an a cappella version of the song. "4 in the Morning" was released as the album's third single. The album's fourth single was a hybrid version of "Now That You Got It" which featured Damian Marley. "Early Winter" was released in February 2008 with initial success on European charts. To promote the album, Stefani embarked a worldwide tour, The Sweet Escape Tour. The tour covered North America, Europe, Asia and the Pacific and part of Latin America. In an interview with Entertainment Weekly on June 6, 2011, Stefani confirmed that she would no longer continue work as a solo artist, stating, "That was a moment in time [...] It went on a little longer than we all thought it would, because it was inspired and you have to go with wherever you're at in that time in your life... [But] everything works out how it should."[75]
In December 2005, Stefani and Rossdale announced that they were expecting their first child together. The pregnancy was first reported by Us Weekly, and Stefani confirmed the pregnancy by shouting, "I want you to sing so loud that the baby hears it!" during a concert in Fort Lauderdale, Florida after her press agent stated that it was untrue.[53] On May 26, 2006, their son, Kingston James McGregor Rossdale, was born via Caesarean section at the Cedars-Sinai Medical Center in Los Angeles.[76] Kingston weighed 3.4 kg (7 lb 8 oz).[77] In January 2008, it was confirmed by her father-in-law that Stefani would be expecting her second child.[78]
[edit]2008–present: Return to No Doubt


Stefani during No Doubt's 2009 summer reunion tour
With Stefani promoting her second solo album, No Doubt began initial work on a new album without her[79] and planned to complete it after Stefani's The Sweet Escape Tour was finished.[80] In March 2008, the band started making posts concerning the progression of the album on their official fan forum. Stefani made a post on March 28, 2008 stating that songwriting had commenced but was slow on her end because she was, at the time, pregnant with her second child.[81]
Manager Jim Guerinot said the yet-untitled album is being produced by Mark "Spike" Stent, who helped produce and mix Rock Steady. Between Stefani's pregnancy and recording, No Doubt did not tour in 2008, but Guerinot promised they plan to hit the road hard in 2009 for their first full-fledged band tour in nearly five years.[82]
The Singles 1992–2003 became available on December 9, 2008 for the video game Rock Band 2.[83] All members of No Doubt except for Stefani served as Scott Weiland's backing band on the album "Happy" in Galoshes. No Doubt announced on their official website they wanted to tour in 2009[84] while finishing their upcoming album, which was set for release 2010.[85] On November 24, 2008, it was announced that No Doubt would be headlining the Bamboozle 2009 festival in May, along with Fall Out Boy. The band completed a national tour in the summer of 2009.[86] On August 21, 2008, Stefani gave birth via cesarean section to her second son, Zuma Nesta Rock Rossdale, weighing 3.85 kg (8 lb 8 oz). A representative for Stefani said, "Mother, baby and family are all happy and healthy."[87]
As of January 2011, Stefani has become the spokesperson for L'Oréal Paris.[88] On June 11, 2012, No Doubt announced the name of their upcoming album is Push and Shove, and that the first single off the album would be "Settle Down".
[edit]Artistry

[edit]Vocal ability and influences
Stefani's unusual and dynamic vocals have been noted for their "deep vibrato"[89] and Stefani has been described as having a "unique vocal prowess".[90] The Chicago Tribune stated that Stefani had a "brash alto."[91] In the single "Cool", her vocal range covers close to two octaves.[92] Kelefa Sanneh of The New York Times joked that as Stefani grew as a musician, she kicked her "addiction" to vibrato.[93] Stefani received five nominations at the 2006 Grammy Awards, including Best Female Pop Vocal Performance and Best Pop Vocal Album.[45]
Stefani has been influenced by and compared to pop singer Madonna. In 2007, she told Elle magazine, "A lot of my influence came from her early work, like directly, like a Xerox."[94] However, Madonna told a reporter that Stefani was a copycat and said that "[s]he ripped me off", to which Stefani responded, "Some people say that I copy her. But show me one girl my age who was not influenced by her."[95] She has been referred to as "the new Madonna" by publications such as The Hollywood Reporter and People.[96] Some critics also saw the 1980s music style of Love. Angel. Music. Baby. as another way which Stefani was imitating the singer.[96]
[edit]Image and Harajuku Girls
Stefani began wearing a bindi in the mid-1990s after attending several family gatherings for Tony Kanal, who is of Indian heritage.[97] During No Doubt's breakthrough, Stefani wore the forehead decoration in several of the band's music videos and briefly popularized the accessory in 1997.[98] First attracting attention in the 1995 music video for "Just a Girl", Stefani is known for her midriff and frequently wears shirts that expose it.[99] Stefani's makeup design generally includes light face powder, bright red lipstick, and arched eyebrows; she wrote about the subject in a song titled "Magic's in the Makeup" for No Doubt's Return of Saturn, asking "If the magic's in the makeup/Then who am I?".[9]


Stefani at the 2011 Cannes Film Festival.
Stefani is a natural brunette, though her hair has not been its natural color since she was in ninth grade.[100] Since late 1994, she has had platinum blond hair. Stefani discussed this in the song "Platinum Blonde Life" on Rock Steady and played original blond bombshell Jean Harlow in the 2004 biopic The Aviator.[101] Stefani also dyed her hair blue in 1998[98] and pink in 2000,[102] appearing on the cover of Return of Saturn with pink hair.
In 2006, Stefani modified her image, inspired by that of Michelle Pfeiffer's character in the 1983 film Scarface.[3] The reinvented image included a symbol consisting of two back-to-back G's, which appears on a diamond-encrusted key she wears on a necklace and which became a motif in the promotion of The Sweet Escape.[33] Stefani raised concerns in January 2007 about her rapid weight loss following her pregnancy. She stated she lost the weight through diet and exercise but admitted to obsessing over her weight due to the size zero trend.[103] She later stated that she had been on a diet since the sixth grade to fit in size 4 clothing, commenting, "It's an ongoing battle and it's a nightmare. But I like clothes too much, and I always wanted to wear the outfits I would make."[104] A wax figure of Stefani was unveiled at Madame Tussauds Las Vegas at The Venetian on September 22, 2010.[105]


Stefani performing with the Harajuku Girls, dressed as nurses, on the Harajuku Lovers Tour 2005
The release of Stefani's first solo album brought attention to her entourage of four Harajuku Girls, named for the area around the Harajuku Station of Tokyo, Japan. Stefani treats the back-up dancers, who appear in outfits influenced by Gothic Lolita fashion,[106] as a figment of her imagination. Stefani's clothing also took influence from Japanese fashion, in a style described as a combination between Christian Dior and Japan.[49] The dancers are featured in her music videos, press coverage, and on the album cover for Love. Angel. Music. Baby., with a song named for and dedicated to them on the album. They were also featured in, and the namesake for, Stefani's Harajuku Lovers Tour 2005.
[edit]Philanthropy

Following the 2011 Tōhoku earthquake and tsunami, Stefani donated $1 million to Save the Children's Japan Earthquake–Tsunami Children in Emergency Fund.[107] Stefani also ran an auction on eBay from April 11 to April 25, 2011, allowing participants to bid on vintage clothing items from her personal wardrobe and custom T-shirts designed and signed by her, as well as on admission to a private Harajuku-themed tea party hosted by her on June 7, 2011 at Los Angeles' first-ever Japanese-style maid café and pop art space, Royal/T, with proceeds from the auction going to Save the Children's relief effort.[108][109] At the amfAR gala during the 2011 Cannes Film Festival, Stefani auctioned off the lacy black dress she wore at the event for charity, raising over $125,000.[110] The dress sparked controversy after a representative for designer Michael Angel—who helped Stefani with the design and worked as a stylist—alleged that it was Angel who created the gown, not Stefani.[110][111][112] In response, Angel released an statement confirming that the dress was designed by Stefani for L.A.M.B. to wear and be auctioned off at the amfAR gala, adding, "I'm disappointed that the focus has shifted away from what Gwen and I originally intended, which was to create a custom outfit for a great cause. We both were thrilled with the outcome and enjoyed the process. I have nothing but respect for her and look forward to working with her on more projects in the future."[113] She is hosting a fundraiser with the First Lady Michelle Obama in August 2012.[114]
Celebrity Girls Wallpaper
Celebrity Girls Wallpaper
Celebrity Girls Wallpaper
Celebrity Girls Wallpaper
Celebrity Girls Wallpaper
Celebrity Girls Wallpaper
Celebrity Girls Wallpaper
Celebrity Girls Wallpaper
Celebrity Girls Wallpaper
Wallpaper. - Celebrity
Celebrity Wallpapers

Cute Girls Wallpaper

Source:- Google.com.pk
Cute Girls Wallpaper Biography
Hello Kitty (ハローキティ Harō Kiti?)[3] (full name Kitty White)[2] is a fictional character produced by the Japanese company Sanrio, first designed by Yuko Shimizu. She is portrayed as a female white Japanese bobtail cat with a red bow.[1] The character's first appearance on an item, a vinyl coin purse, was introduced in Japan in 1974 and brought to the United States in 1976.[4][5] The character is a staple of the kawaii segment of Japanese popular culture.[6] The Hello Kitty trademark has spread globally; Sanrio earned over $1 billion annually in sales outside of Japan, as of 2003.[7]
Originally aimed at pre-adolescent females, Hello Kitty's market has broadened to include adult consumers. She can be found on a variety of products ranging from school supplies to fashion accessories and high-end consumer products. Several Hello Kitty TV series, targeted towards young children, have been produced. Hello Kitty is also the main character at the two Japanese Sanrio theme parks, Harmonyland and the indoor Sanrio Puroland.
Contents  [hide]
1 Character
2 Background
3 History
4 Products
4.1 Financial
4.2 High-end
4.3 Jewellery
4.4 Establishments
4.5 Media
4.5.1 Anime
4.5.2 Music
4.5.3 Video games
4.5.3.1 Partial list of Hello Kitty video games
5 Reception
6 Legacy
7 References
8 External links
Character

Per official character profiles for Hello Kitty, her real name is Kitty White and she was born in the suburbs of London, England on November 1. Her height is described as five apples and her weight as three apples. She is portrayed as a bright and kind-hearted girl, very close to her twin sister Mimmy. She is good at baking cookies and loves Mama's homemade apple pie. She likes to collect cute things and her favorite subjects in school are English, music and art.[2][8]
Hello Kitty is portrayed surrounded by a large family who all go by the last name White. Her twin sister Mimmy is described as "shy and very girly," interested in sewing and dreaming of marriage. While Hello Kitty wears a bow on her left ear, Mimmy wears hers on the right. Their Papa, George, is described as dependable, humorous but also absent-minded. Mama, Mary, is portrayed as a good cook who loves doing housework. Grandpa Anthony likes to tell stories and Grandma Margaret likes sewing.[8] Dear Daniel is Hello Kitty's childhood friend. His character profile describes him as born in London on May 3 with the real name Daniel Starr. He travelled with his parents and was away from Hello Kitty for a long time. He is portrayed as fashionable and sensitive, good at dancing and playing the piano, with an interest in photography and dreams of being a celebrity.[9] Charmmy Kitty is Hello Kitty's pet, a white Persian. She is described as docile, obedient and fond of shiny things. Her necklace holds the key to Hello Kitty's jewellery box.[10] Hello Kitty also has a pet hamster named Sugar, who was a gift from Dear Daniel.[11]
Background



Yuko Shimizu, creator of Hello Kitty, in 2010
In 1962, Shintaro Tsuji, founder of Sanrio, began selling rubber sandals with flowers painted on them.[12] Tsuji noted the profits gained by adding a cute design to the sandals and hired cartoonists to design cute characters for his merchandise.[12] The company produced a line of character merchandise around gift-giving occasions.[13] Hello Kitty was designed by Yuko Shimizu and was added to the lineup of early Sanrio characters in 1974. The character's first appearance on an item was a vinyl coin purse in Japan where she was pictured sitting between a bottle of milk and a goldfish bowl.[14] She first appeared in the United States in 1976.[4][5]
Sanrio decided to make Hello Kitty British because at the time when she was created, foreign countries, in particular Britain, were trendy in Japan. In addition, Sanrio already had a number of characters set in the US and they wanted Hello Kitty to be different.[6][15] Shimizu got the name Kitty from Lewis Carroll's Through the Looking-Glass, where in a scene early in the book Alice plays with a cat she calls Kitty.[16] Sanrio's motto is "social communication" and Tsuji wanted the brand name of the cat to reflect that. He first considered "Hi Kitty" before settling on "Hello" for the greeting.[17] Spokespeople for Sanrio have said that Hello Kitty does not have a mouth because they want people to "project their feelings onto the character" and "be happy or sad together with Hello Kitty."[18][6] Another explanation Sanrio has given for her lack of a mouth is that she "speaks from the heart. She's Sanrio's ambassador to the world and isn't bound to any particular language".[15] Representatives for Sanrio have said they see Hello Kitty as a symbol of friendship, and they hope she will encourage friendship between people across the world.[6] There has been some suggestion that Hello Kitty has its origins in Maneki Neko, and that the name Hello Kitty itself is a back-translation of Maneki Neko, which means beckoning cat in English.
History

Hello Kitty sold well immediately after the 1974 launch, and Sanrio's sales increased seven times up until 1978 when they slumped temporarily.[19][6] New series with Hello Kitty in different themed designs are released regularly, following current trends. Yuko Yamaguchi, the main designer for most of Hello Kitty's history, has said that she is inspired by fashion, movies and TV in creating new designs.[6][19]
Hello Kitty was originally marketed only to young girls. In the 1990s the target market for Hello Kitty was broadened to include teens and grown ups as a retro brand.[6][15] Marketed to those who could not get Hello Kitty merchandise as children, or who fondly remembers items they had, Sanrio began selling Hello Kitty branded products like purses and laptops.[6][15][19] The 1994-1996 Face series was the first to be designed for a more mature appeal.[6]
According to Sanrio, in 1999 Hello Kitty appeared on 12 000 different products yearly.[17] By 2008, Hello Kitty was responsible for half of Sanrio's $1 billion revenue and there were over 50 000 different Hello Kitty branded products in more than 60 countries.[15] Beginning in 2007, following trends in Japan, Sanrio began using darker designs for Hello Kitty with more black and less pink, and pulling away from kawaii styles.[19]
Products



The Hello Kitty Airbus A330-200.
Originally aimed at the pre-adolescent female market, the Hello Kitty product range has expanded and goes all the way from dolls, stickers, greeting cards, clothes, accessories, school supplies and stationary to purses, toasters, televisions, other home appliances, massagers, and computer equipment. These products range from mass market items to high-end consumer products and rare collectibles.[20]
Financial
As of 2009, Bank of America began offering Hello Kitty-themed checking accounts, where the account holder can get cheques and a Visa debit card with Kitty's face on it.[21] MasterCard debit cards have featured Hello Kitty as a design since 2004.[22]
High-end
Sanrio and various corporate partners have released Hello Kitty-branded products, including the Hello Kitty Stratocaster electric guitar (since 2006, with Fender in the US) and even an Airbus A330-200 commercial passenger jet airliner, dubbed the Hello Kitty Jet (2005–2009, with EVA Airways in Taiwan).[23]
2009 marked the collaboration between apparel and accessory brand Stussy and Hello Kitty. Stussy worked with Hello Kitty on collection focusing on the Hello Kitty character with Stussy signature graphics. This collection included T-shirts, keychains, and hoodies.
In 2010, Hello Kitty entered the wine market with collection made up of four wines available for purchase online, continuing an expansion of products targeted at older audiences.[24]
Jewellery
In Spring 2005, Simmons Jewelry Co. and Sanrio announced a co-branded jewellery licensed partnership. “Kimora Lee Simmons for Hello Kitty” was launched exclusively at Neiman Marcus prices ranging from $300 to $5000 Designed by Kimora Lee Simmons and launched as the initial collection. The jewellery is all hand-made, consisting of diamonds, gemstones, semi-precious stones, 18K gold, Sterling silver, enamel and ceramic.[25]
In Fall 2008, Simmons Jewelry Co. and Sanrio debuted a collection of fine jewellery and watches named “Hello Kitty® by Simmons Jewelry Co." The collection launched with Zales Corporation to further expand the reach of the brand, and it developed accessories to satisfy every Hello Kitty fan. The designs incorporate colorful gemstones and sterling silver to attract a youthful audience with retail prices starting at $50.[26]
Establishments


Sanrio Shop in Madrid, Spain with the Hello Kitty character outline as the entryway
There is a themed restaurant named Hello Kitty Sweets in Taipei, Taiwan. The restaurant's decor and many of its dishes are patterned after the Hello Kitty character.[27][28]
In 2008, a Hello Kitty-themed maternity hospital opened in Yuanlin, Taiwan. Hello Kitty is featured on the receiving blankets, room decor, bed linens, birth certificate covers, and nurses' uniforms. The hospital's owner explained that he hoped that the theme would help ease the stress of childbirth.[29][30]
Hello Kitty is included as part of the Sanrio livery at the Japanese theme parks Harmonyland and Sanrio Puroland.
Media
Anime
There have been several different Hello Kitty TV series. The first animated television series was Hello Kitty's Furry Tale Theater which was 13 episodes long and aired in 1987. The next, Hello Kitty and Friends, came out in 1993 and was also 13 episodes. Hello Kitty's Paradise came out in 2000 and was 16 episodes. Hello Kitty's Stump Village came out in 2005 and The Adventures of Hello Kitty & Friends came out in 2006 has aired 52 episodes.
Music
Hello Kitty has her own branded album, Hello World, featuring Hello Kitty-inspired songs performed by a collection of artists, including Keke Palmer and Cori Yarckin.[31]
Hello Kitty was also chosen by AH-Software to become a Vocaloid. The choice was attributed to the fact it was their 50th year anniversary.[32]
Video games
Numerous Hello Kitty games have been produced since the release of the first title for NES in 1992; however, the majority of these games were never released outside of Japan. Hello Kitty also has made cameo appearances in games featuring other Sanrio characters, such as the Keroppi game, Kero Kero Keroppi no Bōken Nikki: Nemureru Mori no Keroleen. Special edition consoles such as the Hello Kitty Dreamcast, Hello Kitty Game Boy Pocket, and Hello Kitty Crystal Xbox have also been released exclusively in Japan.
Partial list of Hello Kitty video games
Hello Kitty no Hanabatake (1992, NES) - a platformer
Hello Kitty World (1992, Famicom) - a Balloon Kid clone
Hello Kitty's Big Fun Piano (1994, PC) - a piano simulation[33]
Hello Kitty's Cube Frenzy (1998, Game Boy Color) - a life simulation/minigame collection
DDR Hello Kitty (1999, Bemani Pocket) - a handheld Hello Kitty game in the Dance Dance Revolution series
The Hello Kitty Simple 1500 series (PlayStation) - a series of specifically low-priced games
Hello Kitty: Happy Party Pals (2005, Game Boy Advance) - an action/adventure game
Hello Kitty: Roller Rescue (2005, Xbox, GameCube, PlayStation 2) - an action/adventure game
Mainichi Suteki! Hello Kitty no Life Kit (2007, Nintendo DS) - a puzzle game
The Hello Kitty Simple 2000 series (2007, PlayStation 2) - a series of specifically low-priced games
Hello Kitty: Big City Dreams (2008, Nintendo DS) - an adventure game published by Empire Interactive developed by Sanrio Digital. In the game, Hello Kitty moves to the Big City where she meets other Sanrio characters and makes new friends.[34]
Hello Kitty Daily (2008, Nintendo DS) - a PDA application featuring a diary, calendar, alarm clock, money managing system and school planner
Hello Kitty Online (2009, PC) - an online MMORPG developed by Sanrio Digital and Typhoon Games. The game allows players to create and customize characters, then use them to battle monsters, socialize with one another, mine for ore, do domestic chores like farming or cooking, and participate in quests.
Hello Kitty Seasons - A game where your playable character is appointed as Deputy Mayor to help Sanrio Town.
Hello Kitty Parachute Paradise (2009, iPhone/iPod Touch) - an iPhone game with tilt-based controls[35]
Reception

The Hello Kitty brand rose to greater prominence during the late 1990s. At that time, several celebrities, such as Mariah Carey, had adopted Hello Kitty as a fashion statement.[15] Newer products featuring the character can be found in a large variety of American department stores.
The Dutch artist Dick Bruna, creator of Miffy, has suggested that Hello Kitty is a copy of Miffy (in Dutch: Nijntje), being rendered in a similar style, stating disapprovingly in an interview for the British paper The Daily Telegraph:
'That,' he says darkly, 'is a copy [of Miffy], I think. I don't like that at all. I always think, "No, don't do that. Try to make something that you think of yourself.[36]
Musti, a cat character created by Belgian cartoonist Ray Goossens, was also cited as an inspiration for both Miffy and Hello Kitty. [37][38]
In May 2008, Japan named Hello Kitty the ambassador of Japanese tourism in both China and Hong Kong, which are two places where the character is exceptionally popular among children and young women. This marked the first time Japan's tourism ministry had appointed a fictional character to the role.[39] Dr Sharon Kinsella, a lecturer at Oxford University on Japanese sociology, called the selection of Hello Kitty "a bit farcical;" "as if a dumbed-down cultural icon ... can somehow do something significant to alter the gnarly and difficult state of China-Japan relations."[15]
UNICEF has also awarded Hello Kitty the exclusive title of UNICEF Special Friend of Children.[40][41]
Hello Kitty's popularity began waning in Japan before the year 2000. In 2002, Hello Kitty lost her place as the top-grossing character in Japan in the Character Databank popularity chart and has never recovered. In a 2010 survey, she was in third place behind Anpanman and Pikachu from Pokémon.[19] In 2010, the New York Times described Hello Kitty's characterization as "not compelling enough to draw many fans" and wrote that analysts called the characterization "weak."[19] They also said that Hello Kitty not having a mouth has dampened her success as an animated TV character.[19]
Cute Girls Wallpaper
Cute Girls Wallpaper
Cute Girls Wallpaper
Cute Girls Wallpaper
Cute Girls Wallpaper
Cute Girls Wallpaper
Cute Girls Wallpaper
Cute Girls Wallpaper
Cute Girls Wallpaper
Cute Asian Girls Wallpapers
Barbiegirls Cute Wallpapers

Emo Girls Wallpaper

Source:- Google.com.pk
Emo Girls Wallpaper Biography
Dame Joan Alston Sutherland, OM, AC, DBE (7 November 1926 – 10 October 2010)[1] was an Australian dramatic coloratura soprano noted for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s.
One of the most remarkable female opera singers of the 20th century, she was dubbed La Stupenda by a La Fenice audience in 1960 after a performance of the title role in Handel's Alcina. She possessed a voice of beauty and power, combining extraordinary agility, accurate intonation, "supremely" pinpoint staccatos,[2] a splendid trill and a tremendous upper register, although music critics often complained about the imprecision of her diction.[3] Her friend Luciano Pavarotti once called Sutherland the "Voice of the Century"; Montserrat Caballé described the Australian's voice as being like "heaven".
Contents  [hide]
1 Early life and career
2 La Stupenda
3 Retirement years
4 Death
5 Memorial service
6 Voice
6.1 Vocal timbre
6.2 Vocal category, size and range
7 Honours and awards
8 Roles
9 Recordings
10 References
11 Further reading
12 External links
[edit]Early life and career

Joan Sutherland was born to Scottish parents in Sydney, and attended St Catherine's School in the suburb of Waverley, New South Wales. As a child, she listened to and imitated her mother's singing exercises. Her mother, a mezzo-soprano, had taken voice lessons but never considered making a career as a professional singer. Sutherland was 18 years old when she began seriously studying voice with John and Aida Dickens. She made her concert debut in Sydney, as Dido in Purcell's Dido and Aeneas, in 1947. In 1951, she made her stage debut in Eugene Goossens's Judith. In 1951, after winning Australia's most important competition, the Sun Aria, now known as the Sydney Eisteddfod McDonald's Operatic Aria in 1949.[4] She then went to London to further her studies at the Opera School of the Royal College of Music with Clive Carey. She was engaged by the Royal Opera House, Covent Garden, as a utility soprano, and made her debut there on 28 October 1952, as the First Lady in The Magic Flute, followed in November by a few performances as Clotilde in Vincenzo Bellini's Norma, with Maria Callas as Norma.
Being an admirer of Kirsten Flagstad in her early career, she trained to be a Wagnerian dramatic soprano. In December 1952, she sang her first leading role at the Royal Opera House, Amelia in Un ballo in maschera. Other roles included Agathe in Der Freischütz, the Countess in The Marriage of Figaro, Desdemona in Otello, Gilda in Rigoletto, Eva in Die Meistersinger von Nürnberg, and Pamina in The Magic Flute. In 1953, she sang the role of Lady Rich in Benjamin Britten's Gloriana a few months after its world premiere, and created the role of Jennifer in Michael Tippett's The Midsummer Marriage, on 27 January 1955.
Sutherland married Australian conductor and pianist Richard Bonynge on 16 October 1954. Their son, Adam, was born in 1956. Bonynge gradually convinced her that Wagner might not be her Fach, and that since she could produce high notes and coloratura with great ease, she should perhaps explore the bel canto repertoire. She eventually settled in this Fach, spending most of her career singing dramatic coloratura soprano.
In 1957, she appeared in Handel's Alcina with the Handel Opera Society, and in Donizetti's Emilia di Liverpool, in which performances her bel canto potential was clearly demonstrated, vindicating her husband's judgement. The following year she sang Donna Anna in Don Giovanni in Vancouver.
In 1958, at the Royal Opera House, after singing, "Let the Bright Seraphim", from Handel's oratorio, Samson, she received a ten minute-long standing ovation.[citation needed]
[edit]La Stupenda

In 1959, Sutherland was invited to sing Lucia di Lammermoor at the Royal Opera House in a production conducted by Tullio Serafin and staged by Franco Zeffirelli. The role of Edgardo was sung by her fellow Australian Kenneth Neate, who had replaced the scheduled tenor at short notice.[5] It was a breakthrough for Sutherland's career, and, upon the completion of the famous Mad Scene, she had become a star. In 1960, she recorded the album The Art of the Prima Donna, which remains today one of the most recommended opera albums ever recorded: the double LP set won the Grammy Award for Best Classical Performance – Vocal Soloist in 1962. The album, a collection consisting mainly of coloratura arias, displays her seemingly effortless coloratura ability, high notes and opulent tones, as well as her exemplary trill. The album was added to the National Film and Sound Archive's Sounds of Australia registry in 2011.[citation needed]
By the beginning of the 1960s, Sutherland had already established a reputation as a diva with a voice out of the ordinary. She sang Lucia to great acclaim in Paris in 1960 and, in 1961, at La Scala and the Metropolitan Opera. In 1960, she sang a superb Alcina at La Fenice, Venice, where she was nicknamed La Stupenda ("The Stunning One"). Sutherland would soon be praised as La Stupenda in newspapers around the world. Later that year (1960), Sutherland sang Alcina at the Dallas Opera, with which she made her US debut.
Her Metropolitan Opera debut took place on 26 November 1961, when she sang Lucia. After a total of 223 performances in a number of different operas,[6] her last appearance there was a concert on 12 March 1989.[7] During the 1978–82 period her relationship with the Met severely deteriorated when Sutherland had to decline the role of Constanze in Mozart's Die Entführung aus dem Serail, more than a year before the rehearsals were scheduled to start. The opera house management then declined to stage the operetta The Merry Widow especially for her, as requested; subsequently, she did not perform at the Met during that time at all, even though a production of Rossini's Semiramide had also been planned, but later she returned there to sing in other operas.[8]
During the 1960s, Sutherland had added the greatest heroines of bel canto ("beautiful singing") to her repertoire: Violetta in Verdi's La traviata, Amina in Bellini's La sonnambula and Elvira in Bellini's I puritani in 1960; the title role in Bellini's Beatrice di Tenda in 1961; Marguerite de Valois in Meyerbeer's Les Huguenots and the title role in Rossini's Semiramide in 1962; Norma in Bellini's Norma and Cleopatra in Handel's Giulio Cesare in 1963. In 1966 she added Marie in Donizetti's La fille du régiment, which became one of her most popular roles, because of her perfect coloratura and lively, funny interpretation.
In 1965, Sutherland toured Australia with the Sutherland-Williamson Opera Company. Accompanying her was a young tenor named Luciano Pavarotti, and the tour proved to be a major milestone in Pavarotti's career. Every performance featuring Sutherland sold out.
During the 1970s, Sutherland strove to improve her diction, which had often been criticised, and increase the expressiveness of her interpretations. She continued to add dramatic bel canto roles to her repertoire, such as Donizetti's Maria Stuarda and Lucrezia Borgia, as well as Massenet's extremely difficult Esclarmonde, a role that few sopranos attempt. With Pavarotti she made a very successful studio-recording of Turandot in 1972 under the baton of Zubin Mehta, though she never performed the role on stage.
Sutherland's early recordings show her to be possessed of a crystal-clear voice and excellent diction. However, by the early 1960s her voice lost some of this clarity in the middle register, and she often came under fire for having unclear diction. Some have attributed this to sinus surgery; however, her major sinus surgery was done in 1959, immediately after her breakthrough Lucia at Covent Garden.[9] In fact, her first commercial recording of the first and final scene of Lucia reveals her voice and diction to be just as clear as prior to the sinus procedure. Her husband Richard Bonynge stated in an interview that her "mushy diction" occurred while striving to achieve perfect legato. According to him, it is because she earlier had a very Germanic "un-legato" way of singing.[10] She clearly took the criticism to heart, as, within a few years, her diction improved markedly and she continued to amaze and thrill audiences throughout the world.
In the late 1970s, Sutherland's voice started to decline and her vibrato loosened to an intrusive extent. However, thanks to her vocal agility and solid technique, she continued singing the most difficult roles amazingly well. During the 1980s, she added Anna Bolena, Amalia in I masnadieri and Adriana Lecouvreur to her repertoire, and repeated Esclarmonde at the Royal Opera House performances in November and December 1983. Her last full-length dramatic performance was as Marguerite de Valois (Les Huguenots) at the Sydney Opera House in 1990, at the age of 63, where she sang Home Sweet Home for her encore. Her last public appearance, however, took place in a gala performance of Die Fledermaus on New Year's Eve, 1990, at Covent Garden, where she was accompanied by her colleagues Luciano Pavarotti and the mezzo-soprano Marilyn Horne.
According to her own words, given in an interview with The Guardian newspaper in 2002,[11] her biggest achievement was to sing the title role in Esclarmonde. She considered those performances and recordings her best.
[edit]Retirement years



Joan Sutherland in 1990
After retirement, Sutherland made relatively few public appearances, preferring a quiet life at her home in Les Avants, Switzerland. One exception was her 1994 address at a lunch organised by Australians for Constitutional Monarchy. In that address, she complained about having to be interviewed by a clerk of Chinese or Indian background when applying to renew her Australian passport. Her comments caused controversy among some sections of the community at the time.[12][13]
Sutherland had a leading role as Mother Rudd in the 1995 comedy film Dad and Dave: On Our Selection opposite Leo McKern and Geoffrey Rush.[14]
In 1997 she published an autobiography, The Autobiography of Joan Sutherland: A Prima Donna's Progress. It received generally scathing reviews for its literary merits,[15] but it does contain a complete list of all her performances, with full cast lists.
Her official biography, Joan Sutherland: The Authorised Biography, published in February 1994, was written by Norma Major, wife of the then prime minister John Major.[16]
In 2002 she appeared at a dinner in London to accept the Royal Philharmonic Society's gold medal. She gave an interview to The Guardian in which she lamented the lack of technique in young opera singers and the dearth of good teachers.[11] By this time she was no longer giving master classes herself; when asked by Italian journalists in May 2007 why this was, she replied: "Because I'm 80 years old and I really don't want to have anything to do with opera any more, although I do sit on the juries of singing competitions."[17] The Cardiff Singer of the World competition was the one that Sutherland was most closely associated with after her retirement. She began her regular involvement with the event in 1993, serving on the jury five consecutive times and later, in 2003, becoming its patron.[18]
On 3 July 2008, she fell and broke both of her legs while gardening at her home in Switzerland.[19] She completely recovered and attended a 2009 luncheon hosted by Queen Elizabeth at Buckingham Palace in honour of members of the Order of Merit.
[edit]Death

On 11 October 2010, Sutherland's family announced that she had died at her home at Les Avants in Switzerland the previous day of cardiopulmonary failure – "the heart just gave out...When it came to the point that she physically couldn't do anything, she didn't want to live any more. She wanted to go, she was happy to go, and in the end she died very, very peacefully."[20][21][22] Though she recovered from her fall in 2008, it led to more serious health problems.[23] A statement from her family said "She's had a long life and gave a lot of pleasure to a lot of people." Sutherland had requested a small, private funeral service.[20] Her funeral was held on 14 October and Opera Australia planned a tribute to her.[23] Artistic director of Opera Australia, Lyndon Terracini, said "We won't see her like again. She had a phenomenal range, size and quality of voice. We simply don't hear that any more."[23] Sutherland is survived by her husband, son, daughter-in-law and two grandchildren.[24][25]
Australian Prime Minister Julia Gillard said, "She was of course one of the great opera voices of the 20th century," adding that Dame Joan showed a lot of "quintessential Australian values. She was described as down to earth despite her status as a diva. On behalf of all Australians I would like to extend my condolences to her husband Richard and son Adam and their extended family at this difficult time. I know many Australians will be reflecting on her life's work today."[26]
[edit]Memorial service

A State Memorial Service on 9 November 2010, arranged by Opera Australia, was held at the Sydney Opera House.[27] Speakers at the service were Julia Gillard, Prime Minister of Australia; Professor Marie Bashir, the Governor of New South Wales; Moffatt Oxenbould, the former Artistic Director of Opera Australia; and Sutherland's son, Adam Bonynge. The service was broadcast live by both ABC1 television and ABC Classic FM (radio) and streamed globally by ABC News 24. Further memorial services were held in Westminster Abbey on 15 February 2011,[28] and in New York City on 24 May 2011, which was hosted by Marilyn Horne with an appearance by Richard Bonynge. In attendance were Sherrill Milnes, Norman Ayrton, Regina Resnick, and Spiro Malas.
[edit]Voice

[edit]Vocal timbre
Described as "fresh," "silvery" and "bell-like" until 1963,[29] Joan Sutherland's voice, later became "golden" and "warm",[2] music critic John Yohalem writes it was like "molten honey caressing the line."[29] In his book Voices, Singers and Critics, John Steane writes that "if the tonal spectrum ranges from bright to dark, Sutherland's place would be near the centre, which is no doubt another reason for her wide appeal."[2] According to John Yohalem, "Her lower register was a cello register, Stradivarius-hued."[29] Her voice was full and rounded even in her highest notes,[30] which was brilliant, but sometimes "slightly acid."[31]
In 1971, Time writes an article comparing Sutherland and Beverly Sills,
Originally bright and youthful-sounding, her voice darkened as she transformed herself into a coloratura. There is a suggestion of Callas' famous middle register in Sutherland's vocal center—a tone that sounds as if the singer were singing into the neck of a resonant bottle. Today the Sutherland voice towers like a natural wonder, unique as Niagara or Mount Everest. Sills' voice is made of more ordinary stuff; what she shares with Callas is an abandon in hurling herself into fiery emotional music and a willingness to sacrifice vocal beauty for dramatic effect. Sutherland deals in vocal velvet, Sills in emotional dynamite. Sutherland's voice is much larger, but its plush monochrome robs it of carrying power in dramatic moments. Sills' multicolored voice, though smaller, projects better and has a cutting edge that can slice through the largest orchestra and chorus. Sometimes, indeed, it verges on shrillness. [...] In slow, legato music, Sills has a superior sense of rhythm and clean attack to keep things moving; Sutherland's more flaccid beat and her style of gliding from note to note often turn song into somnolence. Sills' diction in English, French and Italian is superb; Sutherland's vocal placement produces mushy diction in any language, but makes possible an even more seamless beauty of tone than is available to Sills.[32]
Describing Sutherland's voice, John Yohalem writes:
On my personal color scale, which runs from a voluptuous red (Tebaldi) or blood-orange (Leontyne Price) or purple (Caballé) or red-purple (Troyanos) to white-hot (Rysanek) or runny yellow-green (Sills), Sutherland is among the "blue" sopranos – which has nothing to do with "blues" in the pop sense of the term. (Ella Fitzgerald had a blue voice, but Billie Holiday had a blues voice, which is very different.) Diana Damrau is blue. Mirella Freni is blue-ish. Karita Mattila is ice blue. Régine Crespin was deep blue shading to violet. Sutherland was true blue (like the Garter ribbon). There is a coolness here that can take on the passion in the music but does not inject passion where the music lacks it, could possibly use it.[29]
[edit]Vocal category, size and range
Although she is generally described as a dramatic coloratura soprano, "categorizing Sutherland's voice has always been extremely difficult, both the size and the sound present definitional problems [...] Aside from singing some roles popular amongst coloratura sopranos, Sutherland’s voice could not be more different."[2]
In a 1961 profile in The New York Times Magazine, Sutherland said she initially had "a big rather wild voice" that was not heavy enough for Wagner, although she did not realize this until she heard "Wagner sung as it should be."[33]
Regarding the size of Sutherland's voice, Opera Britannia praise "a voice of truly heroic dimensions singing bel canto. It is doubtful if any soprano in this repertoire has fielded quite so much power and tone as Dame Joan, and this includes Callas and Tetrazzini. The contrast with other sopranos who sing the same roles is appropriately enough stupendous, with rival prima donnas producing small pin points of sound as compared to Sutherland's seemingly endless cascades of full tone."[2] In 1972, music critic Winthrop Sargeant describes her voice "as large as that of a top-ranking Wagnerian soprano" in the The New Yorker.[34] French soprano Natalie Dessay states, "She had a huge, huge voice and she was able to lighten suddenly and to take this quick coloratura and she had also the top high notes like a coloratura soprano but with a big, huge voice, which is very rare."[35]
Sutherland's vocal range extended from G below the staff (G3)[33] to high F (F6), or high F-sharp (F♯6), although she never sang this last note in a public performance.[2][36]
[edit]Honours and awards

During her career and after, Sutherland received many honours and awards. In 1961, she was made a Commander of the Order of the British Empire (CBE).[37] That year she was named the Australian of the Year.[38]
In the Queen's Birthday Honours of 9 June 1975, she was in the first group of people to be named Companions of the Order of Australia (AC) (the order had been created only in February 1975).[39] She was elevated within the Order of the British Empire from Commander to Dame Commander (DBE) in the New Year's Honours of 1979.[40]
On 29 November 1991, the Queen bestowed on Dame Joan the Order of Merit (OM).[41] In January 2004 she received the Australia Post Australian Legends Award which honours Australians who have contributed to the Australian identity and culture. Two stamps featuring Joan Sutherland were issued on Australia Day 2004 to mark the award. Later in 2004, she received a Kennedy Center Honor for her outstanding achievement throughout her career.
Sutherland House and the Dame Joan Sutherland Centre, both at St Catherine's School, Waverley, and the Joan Sutherland Performing Arts Centre (JSPAC), Penrith, are all named in her honour.[42]
John Paul College, a leading private school in Queensland, Australia, dedicated its newly established facility the Dame Joan Sutherland Music Centre in 1991. Sutherland visited the centre for its opening and again in 1996.
In 2012, Sutherland was voted into Gramophone Magazine's first Hall of Fame.[43]
Emo Girls Wallpaper
Emo Girls Wallpaper
Emo Girls Wallpaper
Emo Girls Wallpaper
Emo Girls Wallpaper
Emo Girls Wallpaper
Emo Girls Wallpaper
Emo Girls Wallpaper
Emo Girls Wallpaper
Emo Girls
EMO Girl Obsessed With Japan Singing - FAIL

Pakistani Girls Wallpapers

Source:- Google.com.pk
Pakistani Girls Wallpapers Biography
Reema Khan (Urdu:ریما خان), known by her screen name Reema, is a Pakistani Lollywood film actress, director and producer. She has appeared in more than 200 films since making her debut in 1990.[1]
Contents  [hide]
1 Early life
2 Career
3 Personal life
4 Director and producer
5 Filmography
5.1 As an actress
5.2 As director and producer
5.3 Television
6 References
7 External links
[edit]Early life

Reema Khan was born in Lahore,in 1971.Pakistan.[2] She was first spotted in 1990 by the Pakistani film director Javed Fazil and was offered the supporting role in his film Bulandi.
[edit]Career

Khan started her film career in 1990 through Javed Fazil’s Bulandi.in which she done title role
Khan's early films included Zherilay, Ishq, Naag Devta, Pyar hi pyar, Sailab, Dil, Aag, Shama and Sahiba.
These were followed by films such as Hina, Anjuman, Chakuri, Chandni, Neelam and Insaniat. Later she appeared in Hathi Meray Sathi directed by Shameem Ara and in Rani Beti Raj Karegi directed by Altaf Hussain.
In 2002, Asif Ali Pota’s Fire and Samina Peerzada’s Shararat were released.
She was the first Pakistani actress to be signed by Pepsi Co., Pakistan for their series of advertisements. She has now become an official partner of the Lahore zoo.
[edit]Personal life

Reema Khan married American cardiologist surgeon S. Tariq Shahab on November 16, 2011 in Virginia. The nikkah took place at a local court in Virginia according to American law while Rukhsati took place on November 18, 2011. Her Walima was held in Pearl Continental Hotel Lahore on 27th May , 2012.
[edit]Director and producer

Her debut film as a director and producer, Koi Tujh Sa Kahan, was released in Pakistan and overseas. It went on to win the Best Film award at the Lux Style Awards in 2006. Khan won the award for the Best Actress and Best Director for the same film while Moammar Rana won the Best Actor Award.
[edit]Filmography

[edit]As an actress
Year Production Role Notes
1990 Bulandi
Zehrelay
1991 Afzal Khan
Ishq
Nag Devta
Kharon Ke Khiladi
Pyar Hi Pyar
Darandgi
Selaab
Maedan-e-Jang
Dil
1992 Shezada
Aag
Muhammad Khan
Shaman
Sahiba
Godfather
Ishq Zindabad
Akhara
Majhoo
Mehboba
Chahat
1993 Hinna
Anjuman
Ruqa
Mulakhro
Paida Geer
Chakori
Sheeda Tali
Chandi
Neelam
Aroosa
Jhoota Raes
Betaj Badshah
Daku Chor Sepahi
Teesri Dunia
Doori
Putar Munawar Zareef Da
Ghunda
Aan Milo Sajna
Hathi mere Sathi
Dunya Meri Jaib Mein
1994 Khandan
Gujjar Badshah
Miss Fitna
Muhalay Dar
Jann
Jaan
Laat Saab
Naseeb
Beta
Bala Peeray Da
Munda Kashmiri
But Shikan
1995 Muda Bigra Jaye
Muskrahat
Jo Darr Gya Woh Marr Gya
Chaudhry Badshah
Sarak
Akhri Mujra
Madame Rani
1996 Love 95
Talismi Jazeerah
Chor Machae Shoor
Mamla Garbar Hai
Hum to Chale Susral
Hawaien
Lakht-e-Jigar
Sab Se Bara Rupiah
Miss Istanbul
Mummy
Aalmi Ghuday
Be Qabu
Hum Hain Aap Ke Ghulam
1997 Hum Kisi Se Kam Nahin
Uqabon Ka Nasheman
Mafia
Najaiz
Aulad Ki Qasam
Dunia Hai Dilwalon Ki
Main Khiladi Tu Anadi
Khuda Jane
Hum Tumhare Hain
Krishma
Raja Pakistani
Devar Dewane
1998 Insaaf Ho tau Aisa
Tu meri Mein Tera
Zor
Nakhra Gori Da
Jise De Maula
Dil Sambhala Na jaye
Zidi
King Maker
Dulha Le Ker Jaongi
Doli Saja Kar Rakhna
Wedding Bisma
1999 Waris
Dushman Zinda Rahe
Nikki Jai Haan
Kursi Aur Qanoon
Ik Paghal Si Ladki
Naukar
Dil Tau Pagal Hai
2000 Long Da Lishkara
Yar Chan Wargah
Mujhe Chand Chahiye Zameen
Pehchan
Pasand
Sangdil
Khuda Ke Choor
Banarsi Choor
Billo 420
Barood
2002 Khuda Qasam
Sholay
Majhoo Da Wair
Sheer-e-Pakistan
Kaun Bane Ga Karorpati
Fire
2003 Shararat
2005 Koi Tujh Sa Kahan
2006 Muhabbatein
One Two Ka One
2011 Love Mein Ghum
Pakistani Girls Wallpapers
Pakistani Girls Wallpapers
Pakistani Girls Wallpapers
Pakistani Girls Wallpapers
Pakistani Girls Wallpapers
Pakistani Girls Wallpapers
Pakistani Girls Wallpapers
Pakistani Girls Wallpapers
Pakistani Girls Wallpapers
Pakistani Girls Fight Over A Mobile
PAKISTANI GIRLS AND BOYS......

Pakistani Beautiful Girls Wallpapers

Source:- Google.com.pk
Pakistani Beautiful Girls Wallpapers
The Pakistan Girl Guides Association (PGGA) (Urdu: پاکستان گرل گائڈزایسوسی ایشن) is the national Guiding organization of Pakistan. It serves 117,692 members (as of 2010). Founded in 1911 as part of Indian Girl Guiding, the girls-only organization became independent in 1947 and a full member of the World Association of Girl Guides and Girl Scouts in 1948.
Mission: “To provide opportunities for the development of girls and young women, so that they become confident, patriotic and law abiding citizens capable of performing their duties in the home, as well as community and country”
Vision: We are a National Movement of empowered girls and young women working as the agents of change to build a better world.
Contents  [hide]
1 Program and ideals
1.1 Guide Promise
1.2 Guide Law
2 References
3 See also
[edit]Program and ideals

The movement aims to help girls develop potentials as individuals and prepare them into useful and caring citizens of the country. The association is divided in three sections according to age:
Junior Guides - 6 to 11 Years
Girl Guides - 11 to 16 Years
Senior Guides - 16 to 21 Years
[edit]Guide Promise
I promise to do my best
To do my duty to God and Pakistan
To serve mankind and participate in nation building activities
My special responsibility as a senior guide is to render service by taking this promise out into the wider world To obey the guide laws
[edit]Guide Law
A guide is trustworthy
A guide is loyal
A guide is friendly and a sister to all other Guides.
A guide is polite and considerate and develops a sense of civic responsibility.
A guide is a polite and considerate
A guide is kind to animals and respects all living things.
A guide is obedient.
A guide is helpful and makes good use of her time.
A guide is courageous and cheerful in difficult times.
A guide is thrifty and takes care of her own and other people's possessions.
A guide's deeds follow her words.
Pakistani Beautiful Girls Wallpapers
Pakistani Beautiful Girls Wallpapers
Pakistani Beautiful Girls Wallpapers
Pakistani Beautiful Girls Wallpapers
Pakistani Beautiful Girls Wallpapers
Pakistani Beautiful Girls Wallpapers
Pakistani Beautiful Girls Wallpapers
Pakistani Beautiful Girls Wallpapers
Pakistani Beautiful Girls Wallpapers
Pakistani Girls In Class Room
Pakistani Girls