Pakistani Girls Wallpaper

Source:- Google.com.pk
Pakistani Girls Wallpaper Biography
Malik won the Lux Style Awards in 2006 for best director and a nomination for best actress. She is also famous for the first coming-of-age talk show Black and White on Indus Vision and for her selection of diverse characters. Her name comes in the top five directors of Pakistan working in this field.[citation needed] She is also known as a producer, working under the banner of Angelic Films.
Malik entered in the fashion and showbiz world about ten years back.[when?] Since then, Angeline Malik is continuously establishing her name by working hard in various fields. Other than showing her guts on the fashion ramps,[clarification needed] Malik has also proved herself as a producer, director, and as an anchor. Malik has performed diverse types of characters in many T.V dramas, on different channels. Malik is more touchy and selective about the projects she adopts for direction.[citation needed] She has created a name for herself in an industry that is mostly male dominated through the roles she has played and the subjects she has chosen.
Contents  [hide]
1 Family
2 Early life
3 Filmography (as a director)
4 As an actor
5 As a producer
6 As an anchor
7 As a model
8 As a writer
9 Awards and nominations
10 External links
[edit]Family

Angeline Malik has one elder brother and sister Dr. Arshad khan Malik and Amberine Khan residing in Islamabad with her mother Anees Khan Malik and a younger sister Alvera Khan residing in Europe. Her father has died an ophthalmologist and professor known for his humanitarian and charity work Professor M Aslam Khan Malik She resides in Karachi.
[edit]Early life

Angeline Malik spent her initial childhood in England and then shifted to Islamabad. Angeline Malik completed her masters in Fine Arts, particularly in Sculpture; for further studies she went to London, to secure her another master’s degree in computer imaging and animation from London Guildhall University. hence, she has learned to give innovative & artistic touch in all her creative fields. Angeline Malik is known to hold each of her creative department brilliantly.
[edit]Filmography (as a director)

"Mystery Theatre" series 2002-2004
Ambulance series 2003-2004
"Sayyad" telefilm 2004
"Jantay Jantay" telefilm 2005
Lahasil drama serial 2005
"Aur Pyar Ho Gya" telefilm 2005
"Lillian" telefilm 2005
Lala Ki Film telefilm 2006
"Har khwahish pay dum Niklay" telefilm 2006
"Oh Farzana" telefilm 2006.
"Dil Ki Madham Bolian" music video 2006
"The End" telefilm 2008
RANI by Angeline Malik drama serial 2008.
"Dil Hai Chota Sa" drama serial 2009
"Woh Chaar" series 2010-2011
"Run Zoella Run" telefilm 2010
"Muni Badnaam Hoi" telefilm 2010
"Piano Girl" telefilm 2010
[edit]As an actor

"Larki Chahyay" drama serial 2011
"Woh Chaar" series 2010
"Sehra aur Samander" drama serial 2009
"Run Zoella Run" telefilm 2010
"Rani" drama serial 2008
"Chaukhat" drama serial 2008
"Khan Sahib" drama serial 2008
"Kala Pull" Feature Film 2007
"Kabhi na Houn Hum Juda" drama serial 2007
"Khandaan" 2007
"Meray Lab Ko Koi Zubaan Milay" drama serial 2007
"Lateefa" telefilm 2007
"Meri Awaaz" telefilm 2007
"Chinghari" drama serial 2006
"Redz" comedy series 2006
"Unkay aanay say" comedy serie 2006
"Dil, diya, Dehleez" 2006
"Nigaar" drama serial 2006
"Pyar Mein" drama serial 2006
"Chiragh" drama serial "2006
"Do Anjanay" telefilm 2005
"Lahasil" drama serial 2005
"Lillian" telefilm 2005
"More" telefilm 2005
"Raaj Hansni" drama serial 2004
"Ambulance" series 2002
"Reshma To Jhali Hay" telefilm 2002
"Musafir Din Musafir Raten" 2001
"Ek Gharana" soap 2001
[edit]As a producer

"Mystery Theatre" series 2002-2004
Ambulance series 2003-2004
"Sayyad" telefilm 2004
"Jantay Jantay" telefilm 2005
Lahasil drama serial 2005
"Aur Pyar Ho Gya" telefilm 2005
"Lillian" telefilm 2005
Lala Ki Film telefilm 2006
"Har khwahish pay dum Niklay" telefilm 2006
"Oh Farzana" telefilm 2006.
"Dil Ki Madham Bolian" music video 2006
"Meri Awaaz" telefilm 2007
"The End" telefilm 2008
"Lateefa" telefilm 2008
RANI by Angeline Malik drama serial 2008.
"Woh Chaar" series 2010-2011
"Run Zoella Run" telefilm 2010
"Piano Girl" telefilm 2010
[edit]As an anchor

"Players Gold Leaf Series" (Spain) 2002.
"Black and White" 2001- 2003
"Secrets and Success" 2005
"Not For Angels" 2007-2008
"Hot And Sour" 2009
"D For Directors" 2008-2010
[edit]As a model

"Mohabbat si" music video (Ali Haider) 2006
"Dewana" music video (Ali Azmat) 2005
"Khashmakash" music video (Huma Khawaja) 2007
"Paktel tele Comunication" 2005
"Woh Chaar" music video 2010
[edit]As a writer

"Mystery Theatre"
"The End" telefilm 2008
"Woh Chaar" series 2010
[edit]Awards and nominations

Nominee Début of the year LUX Style Awards 2002. (Black & White, talk show)
Nominee Best Director/ best Play, LUX Style Awards 2004. (Ambulance, drama series)
Best Host Indus drama awards, 2003. (Black and White)
Nominee best Director Indus Awards 2003, (Ambulance series)
Best Director LUX Style awards 2006. (Lahasil Drama Serial)
Nominee Best actress, LUX Style Awards 2006. (Lahasil Drama serial)
Nominee Best actress, LUX Style Awards 2006. (Lahasil Drama serial)
Nominee Best play TV One Awards 2006 (Lala Ki Film)
Best Director TV one Awards 2006 (Lala ki Film)
Nominee Most Stylish Actress, Indus Style Awards 2007.
Nominee Best Supporting Actress PTV Awards 2010 (Sehra aur Samander)
Nominee Best Actress Pakistan Media Awards 2010 (Sehra aur Samander)
Nominee Best actress LUX Style Awards 2010. (Rani drama serial).
Nominee Best Play LUX Style Awards 2010. (Rani drama serial)

Pakistani Girls Wallpaper

Pakistani Girls Wallpaper

Pakistani Girls Wallpaper

Pakistani Girls Wallpaper

Pakistani Girls Wallpaper

Pakistani Girls Wallpaper

Pakistani Girls Wallpaper

Pakistani Girls Wallpaper

Pakistani Girls Wallpaper

Cute Pakistani Girl

Cute Pakistani Girls.wmv

Cute Baby Girls Wallpapers

Source:- Google.com.pk
Cute Baby Girls Wallpapers Biography
Lenore, The Cute Little Dead Girl is a black comedy comic series created by Roman Dirge, inspired by the poem "Lenore" by Edgar Allan Poe. Lenore has appeared in several comic books by Dirge, although the character's first appearance was in a Xenophobe magazine in 1992.[1] From 1998 to 2007, she featured in her own series published by Slave Labor Graphics. 26 flash animated shorts were also produced for Sony's ScreenBlast website in 2002. In July 2009 a new comic series started, now published by Titan Books and called Lenore Volume II. Previous issues were made into colored edition trade paperback called Lenore Volume I which is separated into 3 books.
Contents  [hide]
1 Plot outline
2 Animated films
3 Movie plans
4 Lenore by Titan Books
4.1 Lenore Volume I
4.2 Lenore Volume II
5 Characters
5.1 Lenore
5.2 Ragamuffin
5.3 Mr. Gosh
5.4 Taxidermy
5.5 Pooty
5.6 Muffin Monster
5.7 Kitty
5.8 Undead Nazis
5.9 Wicket Willowbean
5.10 Ouchie Boo-Boo
6 References
7 External links
[edit]Plot outline

The comic tells of the unlife and adventures of the titular character and her similarly odd (if not odder) friends. The story takes place in a small town called Nevermore[2] (taking its name from the same poem as Lenore's namesake "The Raven") and the surrounding wilderness where Lenore's mansion and a nearby graveyard[3] is situated.
The primary focus of the graphic novel is dark humor, with many of the stories having twist endings. Common themes are the reinvention of children's songs, games, and nursery rhymes to something more macabre, and subverting all sorts of pop culture icons and cultural figures in to topics of dark comedy. In one story, for instance, Lenore accidentally kills the Easter Bunny.[4]
While Lenore's actions often result in the death or injury to those around her, and in various forms of chaos, she is not a malicious character, and often thinks she is doing good-although in recent issues, the character had shown a change in personality.
The comic also featured various onetime side stories (One of these stories, Samurai Sloth, is set to star in his own series) and occasionally guest strips from other artists (with Jhonen Vasquez being the most frequent[5][6]). A recurring comic strip called "Things Involving Me" tells about the author's life and experience in an exaggerated, semi-autobiographical manner.
[edit]Animated films

Lenore: The Cute Little Dead Girl
Genre Macabre, Black comedy
Format Cartoon series
Created by Roman Dirge
Written by Roman Dirge
Directed by Roman Dirge
Country of origin United States
Language(s) English
No. of episodes 26
Production company(s) Adelaide Productions
Distributor Sony Pictures Entertainment, Inc.
Broadcast
Picture format Flash Animation
First shown in 2002
Original run 2002 – 2002
External links
Website
Created for Sony's website ScreenBlast, these are viewable at the official website under the comics section. Any website distributing these is doing so without Sony's permission, although Dirge has given permission for people to distribute them as they see fit.[7]
All films begin with a line from Edgar Allan Poe's Lenore: "A Dirge for her the doubly dead in that she died so young". "Dirge" also happens to be the surname of Lenore's creator.
# Title
1 "The New Toy"
Looking for a squeeze toy, Lenore walks into a pet shop where she "accidentally" kills some hamsters. After telling the manager that they are all "broken", she walks out while the manager looks at the hamsters himself and vomits.
2 "Ragamuffin"
While searching through her toy collection, Lenore finds a rag doll which she attempts to sew up. However when she cuts herself, a drop of blood falls onto the doll who gains consciousness. The doll, known as Ragamuffin, explains that, 400 years ago, he was a vamire. However, after killing his last victim, was cursed by her sister. Ragamuffin tries to attack Lenore. However, as her blood has been mixed with embalming fluid, Ragamuffin realises that he will remain a doll forever. Although distraught at first, he starts to settle into this new lifestyle.
3 "The Magician"
A magician attempts a dangerous trick and picks Lenore as a volunteer from the audience. However her involvement causes the death of the magician.
4 "Bloaty The Frog"
Lenore finds a dead frog who she believes is just sick. Remembering her mothers advise, she puts it in a summer dress and tries to feed it chicken soup (with a live chicken) much to Ragamuffin's bemusement. Later the dead frog is driven to a hospital.
5 "The Taxidermy"
Lenore meets her neighbor, Taxidermy, who wants her to take care of his pet, Malakai. After poking it, the creature runs through the house. When Taxidermy returns, Lenore gives him the Malakai back, who seems to have been crushed, and says that it was "No Trouble".
6 "The Return of Mr. Gosh"
Mr. Gosh returns from the grave to express his love to Lenore despite the fact that she has previously murdered him many times. Lenore kills her admirer again by repeatedly throwing knives at his head.
7 "Magic Muffin"
Lenore encounters a magical muffin elf and crushes him with her finger, then eats the muffin.
8 "A Walk In the City"
Lenore takes her dead cat for a walk through town where she encounters an ugly woman. Much to Lenores bemusement, the woman tries to convince her to smile. The woman then pretends to steal her nose. Lenore smiles before she reveals a knife and brutally murders the stranger, cutting off her nose and taking it home and storing it in a jar. ("Got your nose")
9 "Lenore, Queen of the Fairy Gnomes"
After Lenore finds a fairy costume, she is mistaken by gnomes for their long lost queen. They take her to their lair where she asks how, by being bored, they have grown so greatly in numbers. A gnome attempts to answer by using euphemisms for Sexual Intercourse, however instead this makes her believe that a "two-backed beast" is also in the lair. The other gnomes celebrate her arrival until she starts slaughtering them. The next scene shows that she has added them to her collection and says "Now I just need to find that two-backed beast".
10 "The Tea Party"
Lenore has some friends over for a tea party. While they are sitting, Lenore notices a disguised person who reveals himself to be Mr. Gosh. After Lenore spikes his tea with poison, she and the others, despite Mr. Gosh suffering in the background, have a detailed conversation about a film.
11 "Grave Error"
After rising from the grave, Lenore gives evil stares to the others, but reverts to her normal face saying she's "just kidding". She then kills Mr. Gosh.
12 "The Thing What Came From the Poopy Chair"
Two scientists design a new toilet cleaner which supposedly "kills all bacteria". However a mutated, living bacteria appears and gets into the sewer system. Coming out of Lenores toilet, the bacteria attacks Lenore while she is sleeping. However Lenore manages to trap it with the plunger and flush it back down the toilet. The scientists see the suffering bacteria return to their lab. Later Lenore and Ragamuffin are shown to have built a barracade around the toilet.
13 "The Day Mr. Chippy Walked"
Half of a woodchuck, displayed on the wall, gains consciousness and complains about his lack of legs. Lenore fuses half of his body with legs of a doll, the woodchuck rejoins his friends, however they do not accept him. When Lenore tells the viewer "at least todays weird stuff is over", the remaining half of the doll complains about her lack of legs.
14 "Hairball"
Lenore encounters a living hair clog of hers from her drain. However, it rants about her hair products and annoys Lenore.
15 "Fugly Duckling"
The narrarator tells the story of the ugly duckling. Just as the duckling dreams about being a swan, Lenore steps out of the grass and continuously insults the duckling until eventually kicking it into the pond. She then exclaims "I dont do guilt!". An "outtake" is then shown when, just as Lenore steps out of the grass, the narrarator is attacked offscreen.
16 "Kitty #46 & Kitty #53"
Lenore feeds her cat (Kitty #46) and then accidentally strangles him/her. Later she throws another cat (#53) into the bathtub who subsequently jumps to the ceiling and falls back down again, to which Lenore claims: "Kitty Clean".
17 "Insurrection of the Insects"
Told as in a story book, flies fight back against a spider.
18 "The Dream Catcher (Part 1)"
A scarecrow dances the "forbidden dance" with Lenore in her dreamworld. However it soon turns into a nightmare. Ragamuffin suggests that she hang a "dream catcher" from her bed to ward off the night mares however this fails and Lenore starts to threaten Ragamuffin.
19 "The Dream Catcher (Part 2)"
Lenore and Ragamuffin realise that the dream catcher has caught a creature, who calls himself "the toof hairy." Lenore gives him a chance tol prove who he is so the creature says that he has come for the tooth of the neighbour, Billy. He teleprts to Billys house where he violently rips out his teeth while Ragamuffin continues to state that the creature is evil.
20 "Frito the Demon"
Also told like a story book, Frito the demon escapes hell.
21 "The Last Dance of the Ladybug"
Yet another story, a ladybug has her revenge.
22 "Little Bunny Foo Foo"
Parodying a nursery rhyme, Lenore (dressed as a rabbit) kills some field mice by whacking them with a mallet. A fairy appears telling her to stop. Lenore then proceeds to do the same to an armadillo but the fairy returns, telling her she can't do it to any animal. She then does the same to the fairy. The moral of the story is "Be more specific."
23 "L'il Ballerina"
Lenore dances ballet in a graveyard, causing a loud reaction from the crows. She is then told to stop as there is a funeral taking place. Later Lenore and Ragamuffin do an Irish dance on the coffin despite the protests from the director.
24 "Death Bed"
While asleep, Lenore encounters the pets whom she killed. One of her cats (who she calls "Kitty #12") tries to get her to change her ways but fails. Later he tries to haunt her.
25 "Lenore's Last (Part 1)"
Lenore becomes sick and experiences severe flatulence. Ragamuffin takes her to the doctor who finds out that she has no heartbeat, however disagreements between Lenore and the doctor result in the doctors embarrassment.
26 "Lenore's Last (Part 2)"
Lenore finally agrees to be x-rayed, however, upon x-raying her, he finds that there is a rat eating her skeleton. As he goes to "call some people", Lenore sees Death, who offers to take her "home". Ragamuffin does not see him and goes to fetch the doctor. Death tells Lenore to step through the portal which she does. Ragamuffin and the doctor come back into the x-ray room only to find a dead (without consciousness) Lenore, who is mourned by the other characters the next day. In the underworld, various creatures celebrate her arrival. The storyline is continued in the comic series.
[edit]Movie plans

There were plans for the making of a Lenore feature film by Sony Family Entertainment.[8] A script was written but it was not approved by Dirge. The contract has expired.
At his panel at the 2011 Comic Con Roman Dirge announced that Neil Gaiman has agreed to serve as an executive producer on a CGI film adaptation.[9]
[edit]Lenore by Titan Books

[edit]Lenore Volume I
Lenore Volume I are three (Noogie, Cooties, Wedgies) trade paperback graphic novels. Together containing colored versions of the previous issues.
[edit]Lenore Volume II
Formerly known as Lenore #14, Lenore Volume II continues the series starting with the return of the mortician (now a cyborg) after 100 years to finish embalming her.
[edit]Characters



From left to right: Taxidermy, Muffin Monster, Ragamuffin, and Mr. Gosh, waiting for Lenore to rise from the dead.
[edit]Lenore
Lenore is a 10-year-old undead girl who lives in a mansion with her other creepy friends. she died of pneumonia, issue #14 had more of her origin revealed.[10]
Her character has developed from being a somewhat malicious character in the early comics, hurting people out of spite or revenge, to a well-meaning but dim character that kills people by "accident", stemming from the fact that Lenore is generally unaware of her surroundings as well as the fact that she is dead. Lenore says she loves animals (especially cats), but she constantly kills all her pets.
Later she reverts back to her old self and starts hurting those around her with full intentions on what she's doing, as it can be seen in issue #9, when she insults Ragamuffin and calls him all kinds of names and in issue #13 where she declares that her dream is to take over the world. Sometimes, she appears to enjoy others' misfortune, since she smiles when she hurts or kills them and is often depicted as quite violent, especially when she is unhappy about something or when she is angry.
Lenore usually does and says things that do not have sense most of the time, resulting in the annoyance of her level-headed companion, Ragamuffin, who considers her a dimwit, calling her "special in the head". However, despite all that, it's unclear whether she's really dense or she acts stupidly on purpose, just to torment Ragamuffin for fun, because at times she is shown to be quite intelligent-such as in Vol 2 issue #2, when she verbosely presents Mr.Gosh with various examples of "things she loves more than him" which are quite revolting but quite witty nonetheless.
After she is taken by Death to Underworld, she escapes from there and returns to the living world, with Ragamuffin's help, who unburies her. She has two big, black wings, gained after her return from Hell. Apparently, she can let others see her wings only if she desires to.
In issue #9, she tries to tell Ragamuffin that he is her best friend, but she is interrupted by him, when he sprays a substance on her face to kill the worm that eats from her forehead.
Lenore gives Ragamuffin a Valentine's Day gift in the bonus comic from Vol 2 issue #2, where he accepts it until he realizes what she has given him as a Valentine's Day card is, in fact, a 'nard'.
[edit]Ragamuffin
Ragamuffin can at first sight look like a rag doll with worms for hair and polyester filling, but he has a very interesting background story and personality. Ragamuffin was a 400 year old (as mentioned in issue #13) immortal vampire who fed upon the flesh of the living. One night he attacked a young woman and ate her, but unfortunately, her sister, who happened to be a powerful witch, witnessed the scene. The witch cursed him and transformed him into a doll. A drop of Lenore's blood eventually returned him to consciousness, but since her blood was mixed with embalming fluid the curse was only partially lifted: he will never cease to be a doll. (He was briefly transformed back into his body at the end of issue #11, but returned to his rag doll form in the last frame of issue #12).
Ragamuffin is a little unsure of some of Lenore's crazier ideas and is oddly enough the occasional voice of reason in the comic. Still, as shown in the later comics, Ragamuffin is loyal to Lenore, often joining her plans in the computer animated cartoons. He is often infuriated by her dimwitted behavior, but he goes along with her in the end. One example is in issue #13, when Lenore says that he is her little kid (or "baby", as she calls him) and, after many protests, he gives up and lets her put a baby bottle into his mouth. In contrast to the brutal, savage nature in his original vampire form, he seems quite interested in somewhat more human-like activities as a ragged doll, though he does not admit it(he persistently denies it and tries to change the topic when Lenore accuses him of break-dancing in parachute pants in Vol 2 issue #1).
Ragamuffin becomes very protective of Lenore and, in issue #12, when he is turned into a vampire again, he remains by her side and tries to defend her from the dead Nazi zombies that ascended from Hell. In the same issue, Ragamuffin threatens Mr.Gosh, when he disturbs Lenore, and makes him eat his own bowels. Also in Vol 2 issue #1, Ragamuffin brutally murders Mortimer Fledge, who tries to get revenge on Lenore for quite unintentionally ruining his life. Ragamuffin seems worried when Lenore gets sick, takes her to a doctor and he is really devastated when she dies for the second time in Lenore's last(Part 2). These actions imply the fact that he views himself as her parental figure, or at least as her guardian. The supposition is validated by Pooty Applewater's letter, in issue #13, in which he tells Lenore that he cannot leave her with the Puff-Puff Midget, who calls himself Ragamuffin, to protect her. In issue #9, when Lenore falls briefly for Mr.Gosh (when his mask is removed) and shoves Ragamuffin away, he seems hurt and tells her he has feelings.
A new game based on Ragamuffin has been made,[11] in which he plays the role of Lenore's rescuer.
In the original, animated series, he is voiced by Roman Dirge, the titular author of the comics.
[edit]Mr. Gosh
Mr. Gosh appears to be a human-size sock puppet man with buttons as eyes, but he is a dead person with a bag over his head. He is madly and obsessively in love with Lenore. Even after being killed several times by Lenore, he keeps returning from the grave — often saying that he forgives her for killing him, as he supposed she always does it by "accident". He is also unpopular among some of Lenore's friends, especially Ragamuffin, who threatened to feed Mr. Gosh his own bowels if he bothered Lenore again in issue 12. The threat was carried out in the next panel. Lenore's repeated murders of Mr. Gosh include the "Lawnmower Incident", in which she ran him over repeatedly (according to Mr. Gosh himself, 164 times) with a lawnmower, after he proposed to her. Some of his other injuries include: being poisoned, being set on fire, bashed with a shovel, stabbed in the head 6 times, and having his head explode, yet he still loves Lenore with all his heart. Lenore actually falls for him briefly when his hood is removed by Pooty. When Lenore realizes who he is, well, more than his heart is broken. Beneath his hood his head is rotten and causes all who look upon it to vomit, except Lenore; she finds Mr. Gosh much more attractive without his hood. This could be his 'true form' or it could be due to the 'lawnmower incident'. It is revealed in volume 2, issue 2 that he inherited a cupcake castle, which he use to live in before he moved to be closer to Lenore.
[edit]Taxidermy
Taxidermy is Lenore's odd-looking neighbor, who claims that his strange appearance is a 'medical condition'. As his name suggests, his very first appearance in the comics had him looking like a tall, emaciated, suit-wearing deer with a stitched-up head, and he even had hooves for hands. He later (and currently) takes on the appearance of a human with a rotting, taxidermied deer head. The latter design was also adopted for the flash cartoon. Despite his rather ghastly appearance, Taxidermy is a mostly benevolent character and very much an intellectual. He has a little pet named Malakai, confirmed to be a taxidermy form by Roman Dirge on the SpookyLand forums. Taxidermy also leads a horde of taxidermied animals. The horde appears occasionally to assist Lenore and her friends against their enemies. Taxidermy was set to have his own full color 32-page comic, but Roman Dirge gave up on it after 9 pages.[citation needed] According to him, it is sitting in a box just waiting to be finished.
[edit]Pooty
Pooty Applewater made his first appearance in issue #9 as a bounty hunter sent to bring Lenore back to the underworld. Lenore convinced him to let her stay and he became one of her friends, playing a part in the battles that followed. He has a small, odd bucket-like head (with another bucket underneath) and carries a trident.
[edit]Muffin Monster
The Muffin Monster is a dark green coloured creature who made his first appearance in issue #5 at Lenore's tea-party. Not much is known about him except that he likes muffins which seem to give him gas. He also dies in the issue, The Creepig Creeping. This is before the tea party, so he seems to come back for it, somehow.
[edit]Kitty
Lenore often carries a dead kitten with her. The kittens weren't dead when she got them, but she accidentally kills every kitty she takes care of. At one point, she is confronted by the spirit of "Kitty #12" about her cruel behavior towards animals. She attempts to justify her actions by claiming that her victims were evil. In the process she accidentally kills a bunny in a fan claiming that it looked hot. She had planned to get the weasel, but it was "too fast".
[edit]Undead Nazis
Zombie versions of dead Nazi soldiers ascend from Hell after Ragamuffin accidentally releases them. Their mission on Earth is to bring back the escaped Lenore, which they nearly succeed in doing. They are, however thwarted by Ragamuffin, temporarily reverting to his original, vampire form, and Lenore's neighbors, including Taxidermy. This plotline progresses in issues #9 through #12.
[edit]Wicket Willowbean
Wicket was introduced in issue #13 and is claimed by Pooty to be his cousin. Despite first revealing himself to be a horrible demon monster, he then showed his real (supposedly more terrifying) form which is basically Pooty with a round helmet.
[edit]Ouchie Boo-Boo
First appearance in issue #10, Ouchie Boo-Boo is sent to capture Pooty and Lenore and return them to the underworld disguised as Lenore's sister. She turns out to be a skilled opponent, but Pooty kills her in issue #11.

Cute Baby Girls Wallpapers

Cute Baby Girls Wallpapers

Cute Baby Girls Wallpapers

Cute Baby Girls Wallpapers

Cute Baby Girls Wallpapers

Cute Baby Girls Wallpapers

Cute Baby Girls Wallpapers

Cute Baby Girls Wallpapers

Cute Baby Girls Wallpapers

Cute Baby Wallpapers

BABY IMAGES \ WALLPAPERS

Fantasy Girl Wallpaper

Source:- Google.com.pk
Fantasy Girl Wallpaper Biography
Charlotte Perkins Gilman (July 3, 1860 – August 17, 1935) was a prominent American sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. She was a utopian feminist during a time when her accomplishments were exceptional for women, and she served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story The Yellow Wallpaper which she wrote after a severe bout of postpartum psychosis.
Contents  [hide]
1 Early life
2 Adulthood
3 Career
3.1 The Yellow Wallpaper
3.2 Other notable works
4 Rest Cure Treatment
5 Social Views and Theories
5.1 Reform Darwinism and the Role of Female in Society
5.2 Race
6 Critical reception
7 Quotations by Charlotte Perkins Gilman
8 Bibliography[52]
8.1 Poetry Collections
8.2 Short stories
8.3 Novels and Novellas
8.4 Drama/Dialogues
8.5 Non-Fiction
8.5.1 Book-Length
8.5.2 Short and serial non-fiction
8.6 Self Publications
8.7 Selected Lectures
8.8 Diaries, Journals, Biographies, and Letters
8.9 Autobiography
8.10 Further Resources
9 Listen to
10 Notes and references
11 External links
[edit]Early life

Gilman was born on July 3, 1860 in Hartford, Connecticut, to Mary Perkins (formerly Mary Fitch Westcott) and Frederick Beecher Perkins. She had only one brother, Thomas Adie, who was fourteen months older, because a physician advised Mary Perkins that she might die if she bore other children. During Charlotte's infancy, her father moved out and abandoned his wife and children, leaving them in an impoverished state.[1] Since their mother was unable to support the family on her own, the Perkinses were often in the presence of aunts on her father's side of the family, namely Isabella Beecher Hooker, a suffragist, Harriet Beecher Stowe (author of Uncle Tom's Cabin) and Catharine Beecher.
At the age of five, Gilman taught herself to read because her mother was ill.[2] Her mother was not affectionate with her children. To keep them from getting hurt as she had been, she forbade her children to make strong friendships or read fiction. In her autobiography, The Living of Charlotte Perkins Gilman, Gilman wrote that her mother showed affection only when she thought her young daughter was asleep.[3] Although she lived a childhood of isolated, impoverished loneliness, she unknowingly prepared herself for the life that lay ahead by frequently visiting the public library and studying ancient civilizations on her own. Additionally, her father's love for literature influenced her, and years later he contacted her with a list of books he felt would be worthwhile for her to read.[4]
Much of Gilman's youth was spent in Providence, Rhode Island. What friends she had were mainly male, and she was unashamed to call herself a "tomboy."[5] She attended seven different public schools, and was a correspondent student of the Society to Encourage Studies at Home[6] but studied only until she was fifteen.[7] Her natural intelligence and breadth of knowledge always impressed her teachers, who were nonetheless disappointed in her because she was a poor student.[8] Her favorite subject was "natural philosophy," especially what later become known as physics. In 1878, the eighteen-year-old enrolled in classes at the Rhode Island School of Design with the monetary help of her absent father,[9] and subsequently supported herself as an artist of trade cards. She was a tutor, and encouraged others to expand their artistic creativity.[10] She was also a painter.
[edit]Adulthood

In 1884, she married the artist Charles Walter Stetson after initially declining his proposal because a gut feeling told her it was not the right thing for her.[11] Their only child, Katharine Beecher Stetson, was born the following year. Charlotte Perkins Gilman suffered a very serious bout of post-partum depression in the months after Katharine's birth. This was an age in which women were seen as "hysterical" and "nervous" beings; thus, when a woman claimed to be seriously ill after giving birth, her claims were sometimes dismissed as being invalid.[12]
In 1888, Charlotte separated from her husband — a rare occurrence in the late nineteenth century, but one that was necessary for the improvement of her mental health. The two legally divorced in 1894.[13] Following the separation, Charlotte moved with her daughter to Pasadena, California, where she became active in several feminist and reformist organizations such as The Pacific Coast Woman's Press Association, the Woman's Alliance, the Economic Club, the Ebell Society, the Parents Association, and the State Council of Women, in addition to writing and editing the Bulletin, a journal put out by one of the earlier-mentioned organizations.[14]


Charlotte Perkins Gilman
Photograph by Frances Benjamin Johnston (ca. 1900).
In 1894, Gilman sent her daughter west to live with her former husband and his second wife, Grace Ellery Channing, who was a close friend of Gilman's. Gilman reported in her memoir that she was happy for the couple, since Katharine's "second mother was fully as good as the first, [and perhaps] better in some ways."[15] Gilman also held progressive views about paternal rights and acknowledged that her ex-husband "had a right to some of [Katharine's] society" and that Katharine "had a right to know and love her father."[16]
After her mother died in 1893 Charlotte decided to move back east for the first time in eight years. She contacted Houghton Gilman, her first cousin, whom she had not seen in roughly fifteen years, who was a Wall Street attorney. They began spending a significant amount of time together almost immediately and became romantically involved. While she would go on lecture tours, Houghton and Charlotte would exchange letters and spend as much time as they could together before she left. In her diaries, she describes him as being "pleasurable" and it is clear that she was deeply interested in him.[17] From their wedding in 1900 until 1922, they lived in New York City. Their marriage was nothing like Charlotte and Walter's. In 1922, Gilman moved from New York to Houghton's old homestead in Norwich, Connecticut. Following Houghton's sudden death from a cerebral hemorrhage in 1934, Gilman moved back to Pasadena, California, where her daughter resided.[18]
In January 1932, Gilman was diagnosed with incurable breast cancer.[19] An advocate of euthanasia for the terminally ill, Gilman committed suicide on August 17, 1935 by taking an overdose of chloroform. In both her autobiography and suicide note, she wrote that she "chose chloroform over cancer" and she died quickly and quietly.[20]
[edit]Career

After moving to Pasadena, Charlotte became active in organizing social reform movements. As a delegate, she represented California in 1896 at both the Suffrage Convention in Washington, D.C. and the International Socialist and Labor Congress which was held in England.[21] In 1890, she was introduced to Nationalism, a movement which worked to "end capitalism's greed and distinctions between classes while promoting a peaceful, ethical, and truly progressive human race." Published in the Nationalist magazine, her poem, Similar Cases was a satirical review of people who resisted social change and she received positive feedback from critics for it. Throughout that same year, 1890, she became inspired enough to write fifteen essays, poems, a novella, and the short story The Yellow Wallpaper. Her career was launched when she began lecturing on Nationalism and gained the public's eye with her first volume of poetry, In This Our World, published in 1893.[22] As a successful lecturer who relied on giving speeches as a source of income, her fame grew along with her social circle of similar-minded activists and writers of the feminist movement.
[edit]The Yellow Wallpaper
Although it was not the first or longest of her works, without question Gilman's most famous piece is her short story The Yellow Wallpaper, which became a best-seller of the Feminist Press. She wrote it on June 6 and 7 of 1890 in her home of Pasadena, and it was printed a year and a half later in the January 1892 issue of The New England Magazine. Since its original printing, it has been anthologized in numerous collections of women's literature, American literature, and textbooks,[23] though not always in its original form. For instance, many textbooks omit the phrase "in marriage" from a very important line in the beginning of story: "John laughs at me , of course, but one expects that in marriage." The reason for this omission is a mystery, as Gilman's views on marriage are made clear throughout the story. The story is about a woman who suffers from mental illness after three months of being closeted in a room by her husband for the sake of her health. She becomes obsessed with the room's revolting yellow wallpaper. Gilman wrote this story to change people's minds about the role of women in society, illustrating how women's lack of autonomy is detrimental to their mental, emotional, and even physical wellbeing. The narrator in the story must do as her husband, who is also her doctor, demands, although the treatment he prescribes contrasts directly with what she truly needs — mental stimulation and the freedom to escape the monotony of the room to which she is confined. The Yellow Wallpaper was essentially a response to the doctor who had tried to cure her of her depression through a "rest cure", Dr. S. Weir Mitchell, and she sent him a copy of the story.[24]
[edit]Other notable works
Gilman's first book was Art Gems for the Home and Fireside (1888); however, it was her first volume of poetry, In This Our World (1893), a collection of satirical poems, that first brought her recognition. During the next two decades she gained much of her fame with lectures on women's issues, ethics, labor, human rights, and social reform. She often referred to these themes in her fiction.[20]
In 1894–95 Gilman served as editor of the magazine The Impress, a literary weekly that was published by the Pacific Coast Women’s Press Association (formerly the Bulletin). For the twenty weeks the magazine was printed, she was consumed in the satisfying accomplishment of contributing its poems, editorials, and other articles. The short-lived paper's printing came to an end as a result of a social bias against her lifestyle which included being an unconventional mother and a woman who had divorced a man.[25] After a four-month-long lecture tour that ended in April 1897, Gilman began to think more deeply about sexual relationships and economics in American life, eventually completing the first draft of Women and Economics (1898). The book was published in the following year, and propelled Gilman into the international spotlight.[26] In 1903, she addressed the International Congress of Women in Berlin, and, the next year, toured in England, Holland, Germany, Austria, and Hungary.
In 1903 she wrote one of her most critically acclaimed books, The Home: Its Work and Influence, which expanded upon Women and Economics, proposing that women are oppressed in their home and that the environment in which they live needs to be modified in order to be healthy for their mental states. In between traveling and writing, her career as a literary figure was secured.[27] From 1909 to 1916 Gilman single-handedly wrote and edited her own magazine, The Forerunner, in which much of her fiction appeared. By presenting material in her magazine that would "stimulate thought", "arouse hope, courage and impatience", and "express ideas which need a special medium", she aimed to go against the mainstream media which was overly sensational.[28] Over seven years and two months the magazine produced eighty-six issues, each twenty eight pages long. The magazine had nearly 1,500 subscribers and featured such serialized works as What Diantha Did (1910), The Crux (1911), Moving the Mountain (1911), and Herland. The Forerunner has been cited as being "perhaps the greatest literary accomplishment of her long career".[29] After its seven years, she wrote hundreds of articles which were submitted to the Louisville Herald, The Baltimore Sun, and the Buffalo Evening News. Her autobiography, The Living of Charlotte Perkins Gilman, which she began to write in 1925, appeared posthumously in 1935.[30]
[edit]Rest Cure Treatment

Gilman married Walter Stetson in 1884, and less than a year later gave birth to their daughter Katharine. Already susceptible to depression, her symptoms were exacerbated by marriage and motherhood. A good proportion of her diary entries from the time she gave birth to her daughter until several years later describe the oncoming depression that she was to face.[31]
On April 18, 1887, Gilman wrote in her diary that she was very sick with "some brain disease" which brought suffering that cannot be felt by anybody else, to the point that her "mind has given way."[32] To begin, the patient could not even leave her bed, read, write, sew, talk, or feed herself.[33]
After nine weeks, Gilman was sent home with Mitchell’s instructions, “Live as domestic a life as possible. Have your child with you all the time... Lie down an hour after each meal. Have but two hours’ intellectual life a day. And never touch pen, brush or pencil as long as you live.” She tried for a few months to follow Mitchell's advice, but her depression deepened, and Gilman came perilously close to a full emotional collapse.[34] Her remaining sanity was on the line and she began to display suicidal behavior that involved talk of pistols and chloroform, as recorded in her husband's diaries. By early summer the couple had decided that a divorce was necessary for her to regain sanity without affecting the lives of her husband and daughter.[13]
During the summer of 1888, Charlotte and Katharine spent time in Bristol, Rhode Island, away from Walter, and it was there where her depression began to lift. She writes of herself noticing positive changes in her attitude. She returned to Providence in September. She sold property that had been left to her in Connecticut, and went with a friend, Grace Channing, to Pasadena where the cure of her depression can be seen through the transformation of her intellectual life.[16]
[edit]Social Views and Theories

[edit]Reform Darwinism and the Role of Female in Society
Gilman called herself a humanist, and believed the domestic environment oppressed women through the patriarchal beliefs upheld by society.[35] Gilman embraced the theory of reform Darwinism and argued that Darwin's theories of evolution only presented the male as the given in the process of human evolution, thus overlooking the origins of the female brain in society which rationally chose the best suited mate that they could find. In doing so, Charlotte believed very seriously that Charles Darwin accidentally subjugated women by installing male sex selection, which requires constant sexual contact as opposed to a more periodic sexuality, thus leading to the oppression of women through rape and violence.[36]
Gilman argued that male aggressiveness and maternal roles for women were artificial and no longer necessary for survival in post-prehistoric times. She wrote, "There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver".[37]
Her main argument was that sex and domestic economics went hand in hand; in order for a woman to survive she was reliant on her sexual assets to please her husband so that he would bring home the bread. From childhood young girls are forced into a social constraint that prepares them for motherhood by the toys that are marketed to them and the clothes designed for them. She argued that there should be no difference in the clothes that little girls and boys wear, the toys they play with, or the activities they do, and described tomboys as perfect humans who ran around and used their bodies freely and healthily.[38]
Gilman argued that women's contributions to civilization, throughout history, have been halted because of an androcentric culture. She believed that the female race was the half of humanity that was underdeveloped, and improvement was necessary to prevent the deterioration of the human race.[39] Gilman believed economic independence is the only thing that could really bring freedom for women, and make them equal to men. In 1898 she published Women and Economics, a theoretical treatise which argued, among other things, that women are subjugated by men, that motherhood should not preclude a woman from working outside the home, and that housekeeping, cooking, and child care, would be professionalized.[40] “The ideal woman," Gilman wrote, "was not only assigned a social role that locked her into her home, but she was also expected to like it, to be cheerful and gay, smiling and good-humored.” When the sexual-economic relationship ceases to exist, life on the domestic front would certainly improve, as frustration in relationships often stems from the lack of social contact that the domestic wife has with the outside world.[41]
Gilman became a spokesperson on topics such as women’s perspectives on work, dress reform, and family. Housework, she argued, should be equally shared by men and women, and that at an early age women should be encouraged to be independent. In many of her major works, including "The Home" (1903), Human Work (1904), and The Man-Made World (1911), Gilman also advocated women working outside of the home.[42]
Gilman argues that the home should be socially redefined. The home should shift from being an “economic entity” where a married couple live together because of the economic benefit or necessity, to a place where groups of men and groups of women can share in a “peaceful and permanent expression of personal life.” [43] Gilman believed having a comfortable and healthy lifestyle should not be restricted to married couples; all humans need a home that provides these amenities. Gilman suggest that a communal type of housing open to both males and females, consisting of rooms, rooms of suites and houses, should be constructed. This would allow individuals to live singly and still have companionship and the comforts of a home. Both males and females would be totally economically independent in these living arrangements allowing for marriage to occur without either the male or female’s economic status having to change.
The structural arrangement of the home is also redefined by Gilman. She removes the kitchen from the home leaving rooms to be arranged and extended in any form and freeing women from the provision of meals in the home. The home would become a true personal expression of the individual living in it.
Ultimately the restructuring of the home and manner of living will allow individuals, especially women, to become an “integral part of the social structure, in close, direct, permanent connection with the needs and uses of society.” This would be a dramatic change for women who generally considered themselves restricted by family life built upon their economic dependence on men. [44]
[edit]Race
With regard to African Americans, Gilman wrote in the American Journal of Sociology: “The problem, is this: Given: in the same country, Race A, progressed in social evolution, say, to Status 10; and Race B, progressed in social evolution, say, to Status 4. . . . Given: that Race B, in its present condition, does not develop fast enough to suit Race A. Question: How can Race A best and most quickly promote the development of Race B?” Gilman’s solution was that all blacks beneath “a certain grade of citizenship” — those who were not “decent, self-supporting, [and] progressive” — “should be taken hold of by the state.[45]”
Gilman also believed old stock Americans of British colonial descent were giving up their country to immigrants who, she said, were diluting the nation's reproductive purity.[46] However, in an effort to gain votes for all women, she spoke out against the literacy requirements for the right to vote at the national American Women's Suffrage Association convention which took place in 1903 in New Orleans.[47]
[edit]Critical reception

The Yellow Wallpaper was initially met with a mixed reception. One critic wrote to the Boston Transcript: “The story could hardly, it would seem, give pleasure to any reader, and to many whose lives have been touched through the dearest ties by this dread disease, it must bring the keenest pain. To others, whose lives have become a struggle against heredity of mental derangement, such literature contains deadly peril. Should such stories be allowed to pass without severest censure?” [48] Positive reviewers describe it as impressive because it is the most suggestive and graphic account of why women who live monotonous lives go crazy.[49]
Although Gilman had gained international fame with the publication of Women and Economics in 1898, by the end of World War I she seemed out of tune with her times. In her autobiography she admitted, "unfortunately my views on the sex question do not appeal to the Freudian complex of today, nor are people satisfied with a presentation of religion as a help in our tremendous work of improving this world."[50]
Ann J. Lane writes in Herland and Beyond that “Gilman offered perspectives on major issues of gender with which we still grapple; the origins of women’s subjugation, the struggle to achieve both autonomy and intimacy in human relationships; the central role of work as a definition of self; new strategies for rearing and educating future generations to create a humane and nurturing environment.”[51]
Recently, she has been criticized for her idea in A Suggestion on the Negro Problem to enlist a civic army of blacks like an AmeriCorps to provide jobs and discipline.
[edit]Quotations by Charlotte Perkins Gilman



“The first duty of a human being is to assume the right functional relationship to society -- more briefly, to find your real job, and do it.”
“There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver.”
“There was a time when Patience ceased to be a virtue. It was long ago.”
“To swallow and follow, whether old doctrine or new propaganda, is a weakness still dominating the human mind.”
"It is not that women are really smaller-minded, weaker-minded, more timid and vacillating, but that whosoever, man or woman, lives always in a small, dark place, is always guarded, protected, directed and restrained, will become inevitably narrowed and weakened by it."
"The softest, freest, most pliable and changeful living substance is the brain -- the hardest and most iron-bound as well."
"A house does not need a wife any more than it needs a husband."
"When all usefulness is over, when one is assured of an unavoidable and imminent death, it is the simplest of human rights to choose a quick
and easy death in place of a slow and horrible one." (from her suicide note).
"Here she comes, running out of prison and off the pedestal; chains off, crown off, halo off, just a live woman."

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Hyun-a was born on June 6, 1992 in Jeolla province, South Korea. She attended Choong Chun Middle School and Korea High School of Music and Arts and currently attends Konkuk University, majoring in art culture, receiving special admissions to the school.[1] She has a tattoo on her left shoulder that says "My mother is the heart, that keeps me alive."[2] Before HyunA debuted with 4Minute, she was a member of the Wonder Girls in 2007 but left due to chronic gastroenteritis. She is the main rapper and the main dancer of the group and also a vocalist.
[edit]Career

[edit]2007–2008: Debut, The Wonder Begins, and The Wonder Years
In 2007, Hyun-a made her debut with the Wonder Girls, a girl group managed by JYP Entertainment, with the single "Irony" as the group's main rapper.[3] She left the group in July,[4] when she was removed by her parents due to their concern over her health—in particular, chronic gastroenteritis and fainting spells.[5]
While with the Wonder Girls she was a part of the group's television shows MTV Wonder Girls (season 1) & MTV Wonder Girls (season 2). From May 12, 2007 she was a co-host together with Wonder Girls' Sohee & Brian Joo at Show! Music Core until June 30, 2007 when she left the group.
In 2008 she transferred over to Cube Entertainment.[6] After joining Cube Entertainment, Hyun-a joined girl group 4Minute. Announced in May 2009, the group debuted with their single, "Hot Issue" on 15 June.[7][8]
[edit]2009: Collaborations
Hyun-a collaborated with Lee Gi Kwang for the song "2009" from his debut album First Episode: A New Hero, and she also appeared in his first single "Dancing Shoes"'s music video which was released on March 30, 2009. On August 13, 2009 she rapped for Navi's song "Wasteful Tears" and she also appeared in the MV for this song. Hyun-a also appeared in Mighty Mouth's music video for "Love Class" with Uee from After School.
On August 18, 2009 Hyun-a featured for Brave Brothers together with Mabus, Red Roc, Basick & M for his song "Bittersweet".
She became part of the "Dream Team Girl Group" for Samsung's Anycall called "4 Tomorrow". Their first digital single "Tomorrow" was released on October 6, 2009, and the official music video was released on October 12, starring actor Lee Dong Gun, who also starred in each member's individual drama version of the video.[9] Hyun-a's version was released on October 27, 2009. The Dream Team was composed of Hyun-a (4Minute), Seung Yeon (Kara), Uee (After School) & Gain (Brown Eyed Girls).
Hyun-a was also part of Invincible Youth, a South Korean variety show. However, she left the show due to some scheduling conflicts with her group's overseas promotions on 11 June 2010.
[edit]2010: Solo debut and controversy


Performing in 2010 Mnet 20's choice
On January 4, 2010, Hyun-a released the single "Change" which debuted high on various online charts while also becoming a top search term.[10] Hyun-a commenced promotions for "Change".[10][11] The song reached #14 on the Gaon 2010 digital yearly charts with 2,469,354 copies sold.
On January 14, 2010, the "Change" music video was flagged with a 19+ rating due to Hyun-a's provocative dancing, citing it to be inappropriate to minors. Cube Entertainment stated that the music video would be re-edited and submitted for approval. However, broadcast station SBS, announced the music video would be restricted for a 15+ audience instead, and MBC announced that it would still be viewable for all audiences.[12] Her "Change" promotions ended in March 2010.
On February 10, Hyun-a released a digital single, "Love Parade", featuring T-MAX's member Park Yun Hwa.
On April 16, Hyun-a released another digital single, "Outlaw in the Wild (Korean: 황야의 무법자)", featuring Nassun, and produced by E-Tribe.[13][14]
In the month of August the "Change" music video was made available for viewing on Virgin Media's music on demand service within the UK. Hyun-a is featured for FADDY ROBOT FOUNDATION together with Beast`s Jun Hyung, Outsider, Verbal Jint, Mighty Mouth’s Ssangchu, Vasco and Block B's Zico; and any profit from this song will be used for helping the society. The song was released on September 17, 2010.
On October 14, 2010 Hyun-a played a cameo role in the thriller movie Late Night FM along with fellow band member Ji Hyun.[15]
She also sang a duet with G.NA called "Say You Love Me", in which she wrote/composed the rap lyrics of the song and became a hot topic on Korean portal sites. The duet was released on November 10, 2010.
[edit]2011: Bubble Pop! and Trouble Maker
CEO Hong Seungsong of Cube Entertainment announced that Hyun-a would make a comeback with her 1st Mini-Album in May, 2011. He stated that, "Hyun-a will have her second solo song which is expected to be released in May. Though this time, fans should expect a radical change in her concept."
Hyun-a was featured in SS501's Heo Young Saeng's title track "Let It Go" from his first solo mini album, Let It Go released on May 12, 2011.[16]
Hyun-a appeared in the Korean version of “Dancing With The Stars”. The show started broadcasting on June 10.[17]
After several teasers, Hyun-a released her first mini album, titled Bubble Pop! featuring five new songs, with a title track titled "Bubble Pop!". The MV teaser for "Bubble Pop!" was released on June 30, 2011 and the music video was released on July 5. The MV also stars MBLAQ's Lee Joon. In August, the Korea Communications Standards Commission partially banned TV broadcasting of the video for allegedly racy content.[18]
On September 28, 2011 Hyun-a ranked 17th on Billboard's ’21 Under 21′, showcasing the staff’s top picks for the world’s hottest underage stars.[19]
On November 24, 2011 Cube revealed that she will be in a co-ed sub-unit called Trouble Maker with BEAST's Hyunseung.
Trouble Maker's first mini album, ‘Trouble Maker’, consists of a dance track as well as an emotional ballad, a solo song for Hyun-a, and a solo song for Hyunseung. The unit started revealing their teaser photos on November 25th through their official YouTube channel "troublemakerofficial", and unleashed their album on December 1.[20]
Hyun-a’s “Bubble Pop” was #9 and #3 on USA's SPIN Magazine’s “Best 20 Songs of 2011″ and "SPIN's Favorite Pop Tracks of 2011" [21] [22]
[edit]2012
On February 12, 2012 it was revealed that "The Birth of a Family" Season 2 will follow up with Hyuna and singer G.NA. Birth of a Family is an “animal communion variety" program where idols adopt stray pets and take care of them for a certain period of time to raise awareness for animal rights. Hyun-a and G.NA will be taking care of a pet and raising it for a period of 2 months. The first episode with the two singers will be broadcast on March 3.[23]
On March 14, 2012 was revealed that Hyuna will be launching her own fashion brand called, Hyuna x SPICYCOLOR. Hyuna x SPICYCOLOR will be a ‘retro, chic, and sexy’ concept, pulling inspiration from the vintage looks of the 50′s and 60′s. Since Hyuna is putting her name on the line, she will be extremely involved, starting from the concept development, design, as well as directing the photo shoots. Hyuna stated, “Although as an artist I did show a lot of sexy concepts, for this brand which will be launching at the end of March, I worked very hard to delivers styles that are not only sexy, but also fashionable and stylish. For this spring, if you own a single item mixed with lace, anyone can easily complete a trendy look.”[24]
Hyuna also appeared as a featured dancer in the PSY music video for "Gangnam Style," which released on July 15, 2012.

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Edward "Ed" Westwick[1] (born 27 June 1987) is an English actor and musician who is best known for his role as Chuck Bass on the CW television drama Gossip Girl.
Contents [hide]
1 Early life and career
2 Personal life
3 Filmography
4 Awards and nominations
5 References
6 External links
[edit]Early life and career

Westwick was born in Stevenage, Hertfordshire, the son of Carole, an educational psychologist, and Peter Westwick, a university lecturer.[2] He grew up in Stevenage and trained at the National Youth Theatre in London. He is a Chelsea F.C. supporter.[3][4] His early career began with appearances on the British television series Doctors as Holden, Casualty as Johnny Cullin and Afterlife as Darren. His film credits include Breaking and Entering, Children of Men and Son of Rambow.


Westwick at the 2008 White House Correspondents' Dinner.
In 2007, he was cast in The CW's teen drama series Gossip Girl as Chuck Bass. As a result of the show's success, he was named one of 2008's Sexiest Men Alive by People magazine,[5] appeared the following year on its "100 Most Beautiful" list with the whole cast of Gossip Girl,[6] earned two awards in 2008 and 2009 for Best TV Villain at the Teen Choice Awards, and was named Breakthrough Talent by GQ in 2010.[7] Entertainment Weekly also named Westwick's character Chuck Bass number one in their "Best Dressed TV characters of 2008" list (tied with Leighton Meester's character Blair Waldorf), as well as in their "Best Performances" list alongside co-star Meester.[8]
In 2008, Westwick became the new face of K-Swiss,[9] making him the second member of the Gossip Girl cast to endorse sportswear (Leighton Meester endorsed Reebok)[10] and appeared in the horror film 100 Feet.
In 2009, Westwick played a role in the sequel to Donnie Darko and also guest starred in the third season of the Showtime original series Californication as a student who was fascinated with vampire literature.[11] In May 2009, he was attached to play Heathcliff in Wuthering Heights.[12] However, in January 2010 the project passed into the hands of a new director which caused a change in the cast.
In January 2011, Westwick joined Clint Eastwood's film J. Edgar, a biopic starring Leonardo DiCaprio about J. Edgar Hoover, the controversial first director of the FBI.[13] That same year, he appeared in the romantic comedy Chalet Girl alongside Felicity Jones.
He co-narrated the audio book version of City of Fallen Angels by Cassandra Clare and also narrated Clare's second novel Clockwork Prince from The Infernal Devices series.[14]
Westwick also became an international celebrity endorser for Penshoppe, a local clothing brand in the Philippines, in mid-2011.[15][16]
He is set to star in a new adaptation of Romeo and Juliet as Juliet's cousin Tybalt alongside Hailee Steinfeld.[17][18]
[edit]Personal life

Westwick began dating his Gossip Girl co-star Jessica Szohr in late 2008. They split in May 2010, with Westwick saying "girlfriends are too much of a headache",[19][20][21] but briefly reunited whilst filming season 4 of Gossip Girl in August 2010.[22] In February 2012, it was reported Westwick and Szohr had rekindled their relationship.[23]
Besides acting, Westwick fronted the British indie rock band The Filthy Youth, composed of himself, Benjamin Lewis Allingham, David "Gattman" Gatt, Jimmy Wright, Tom Bastiani and John Vooght.[24][25] While he is now inactive in the band, largely because he wants to focus on his acting career and the other band members are still based in the U.K., he has expressed an interest in forming another group in New York.[26]

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Powerpuff Girls Wallpaper Biography
The Powerpuff Girls is an American animated television series created by animator Craig McCracken and produced by Hanna-Barbera (later Cartoon Network Studios) for Cartoon Network. The show centers on Blossom, Bubbles, and Buttercup, three kindergarten-aged girls with superpowers, as well as their "father", the brainy scientist Professor Utonium, who all live in the fictional city of Townsville, USA. The girls are frequently called upon by the town's childlike mayor to help fight nearby criminals using their powers.
McCracken originally developed the show in 1992 as a cartoon short entitled Whoopass Stew! while in his second year at CalArts. Following a name change, Cartoon Network featured the first Powerpuff Girls pilots in its animation showcase program World Premiere Toons in 1995 and 1996. The series made its official debut as a Cartoon Cartoon on November 18, 1998, with the final episode airing on March 25, 2005. A total of 78 episodes were aired in addition to two shorts, a Christmas special, a feature film, and a tenth anniversary special. Additionally, the series has been nominated for 6 Emmy Awards, 9 Annie Awards, and a Kids' Choice Award during its run. Spin-off media include an anime, three CD soundtracks, a home video collection, and a series of video games, as well as various licensed merchandise.
Contents  [hide]
1 Overview
2 Production
3 Characters
4 Media
4.1 Anime and Manga
4.2 Film
4.3 Music CDs
4.4 Parodies
4.5 Video games
5 Reception
5.1 Awards and nominations
6 See also
7 References
8 External links
Overview

The Powerpuff Girls revolves around the adventures of Blossom, Bubbles, and Buttercup. Each of the girls has a color: Blossom is pink, Bubbles is blue, and Buttercup is green. The plot of a typical episode is some humorous variation of standard superhero and tokusatsu fare, with the girls using their powers to defend their town from villains and giant monsters. In addition, the girls have to deal with normal issues young children face, such as sibling rivalries, loose teeth, personal hygiene, going to school, bed wetting, or dependence on a security blanket. Episodes often contain more or less hidden references to older pop culture (especially noticeable in the episode "Meet the Beat Alls").[1]
The setting of the show is mainly the city of Townsville, USA. Townsville is depicted as a major American city, with a cityscape consisting of several major skyscrapers. In his review of The Powerpuff Girls Movie, movie critic Bob Longino of The Atlanta Journal-Constitution said that, "the intricate drawings emanate 1950s futuristic pizazz like a David Hockney scenescape," and that the show is "one of the few American creations that is both gleeful pop culture and exquisite high art."[2]
James L. Venable composed the opening theme of the series, and Scottish band Bis performed the ending theme song,[3] as played during the credits. The opening theme is based on the Clyde Stubblefield-performed Funky drummer drum break sample.[4]
Production

See also: List of The Powerpuff Girls episodes
In 1991 Craig McCracken, then a student in the character animation program of CalArts,[5] created "The Whoopass Girls" as a drawing of three girls on a small sheet of orange construction paper.[6] The following year he included them as the main characters of his short film Whoopass Stew! The Whoopass Girls in: A Sticky Situation.[7] This short, along with a few of McCracken's No Neck Joe shorts, was selected to be shown at Spike and Mike's Sick and Twisted Festival of Animation in 1994.[7][8] While working on Dexter's Laboratory, McCracken submitted his work to Hanna-Barbera's innovative What a Cartoon! Show shorts program, which was eventually produced for Cartoon Network as "The Powerpuff Girls in: Meat Fuzzy Lumpkins" as part of World Premiere Toons.[9] "Meat Fuzzy Lumpkins" first aired in 1995, and was followed by a second short, "Crime 101", a year later. Announcer Ernie Anderson, the narrator of the pilot episodes, died of cancer in 1997 before the show premiered, and he was replaced by Tom Kenny for the remainder of the series.[10] The show's animation director was McCracken's former classmate Genndy Tartakovsky (Dexter's Laboratory, Samurai Jack), who also directed many episodes himself.[11] All of the original episodes (except the WAC shorts with the first one being animated at Animal House in Japan and the Second being animated at Fil Cartoons in the Philippines) were hand-drawn and produced at Rough Draft Studios in South Korea.[12]
The Powerpuff Girls series debut on November 18, 1998 was the highest rated premiere in Cartoon Network's history at the time. The series consistently scored the highest rating each week for the network across a wide range of demographics—from young children to adults.[13] In October 2000, Cartoon Network credited The Powerpuff Girls for its Friday night prime time ratings win among cable networks.[14] By the end of 2000, merchandising based on The Powerpuff Girls encompassed a whole variety of products, including T-shirts, toys, video games, lunchboxes, and dishware.[13] Concerning The Powerpuff Girls success, Craig McCracken has stated, "I thought it would get on Cartoon Network and college kids would watch it and there would be a few random T-shirts out there in the rave scene or in record shops. But I had no idea that it would take off to this extent."[13] The show's last original run episode was on March 25, 2005, in all six seasons were made.[15]
In August 2008, McCracken revealed on his DeviantArt account, as had been announced in that year's Comic Con, that he was working with Cartoon Network on a new half-hour Powerpuff Girls special to celebrate the series' tenth anniversary.[16] The special, titled "The Powerpuff Girls Rule!!!", aired on the Pan-Euro Cartoon Network on November 29, 2008, on the Powerpuff Girls Birthday Marathon, and in the United States on January 19, 2009, as part of its 10th anniversary marathon. Unlike previous episodes in the series, the anniversary special was animated using Adobe Flash at Cartoon Network Studios.[17] As of March 30, 2012, this series has returned to Cartoon Network in re-runs on the revived block, Cartoon Planet.[18]
Characters

Main article: List of The Powerpuff Girls characters


The Powerpuff Girls: Bubbles (left), Blossom (middle), and Buttercup (right)
As depicted in the opening sequence of each episode, the Powerpuff Girls were created by Professor Utonium in an attempt "to create the perfect little girl" using a mixture of "sugar... spice... and everything nice" (shown in respective fields of baby blue, light green, and pink). However, he accidentally spilled a mysterious substance called "Chemical X" into the mixture, creating, instead of the "perfect little girl", three girls (each possessing one of the above elements dominating her personality), and granting all three superpowers including flight, super strength, super speed, near invulnerability, x-ray vision, super senses, heat vision, and energy projection. In the original plot, the accidental substance was a can of "Whoop Ass", which was replaced by "Chemical X" in the aired version.[13]
The three girls all have oval-shaped heads, abnormally large eyes (inspired by Margaret Keane's art[19]), stubby arms and legs, and lack noses, ears, fingers, necks, and flat feet with toes (McCracken preferred them to look more symbolic of actual girls rather than going for a realistic look, meaning fewer details were added.[20]). They wear dresses with black stripes that match the colors of their eyes, as well as white stockings and black Mary Janes. The closing theme to the cartoon offers a nutshell description of the three Powerpuff Girls' personalities: Blossom, commander and the leader. Bubbles, she is the joy and the laughter. Buttercup, she is the toughest fighter.
Blossom (voiced by Cathy Cavadini) is known for being the most intelligent one, as well as being the self-proclaimed leader of the Powerpuff Girls. Her personality ingredient is "everything nice", her signature color is pink, and she has long red hair with a red bow. She was named for having spoken freely and honestly to the Professor shortly after her creation as shown in the Powerpuff Girls Movie. She is often seen as the most level-headed, and composed member of the group and also strong and determined.[21] Her unique power is freezing objects with her breath as seen in the episode Ice Sore.[22]
Bubbles (voiced by Tara Strong in the series and by Kath Soucie in the What-a-Cartoon! episodes) is the cute and sensitive one. Her personality ingredient is sugar, her signature color is blue, and she has short blonde hair in two pigtails. Bubbles is seen as kind and very sweet but she is also capable of extreme rage and can fight monsters just as well as her sisters can.[21] Her best friend is a stuffed octopus doll she calls "Octi", and she also loves animals. She exhibits the ability to both understand foreign languages (Spanish, Japanese) and communicate with various animals (squirrels, cats, monsters), and her unique power is emitting supersonic waves with her voice.
Buttercup (voiced by E.G. Daily) is the toughest of the three. Her personality ingredient is spice, her signature color is light green, and she has short black hair in a bob. She is a tomboy, who loves to get dirty, fights hard, and plays rough, she does not plan and is all action.[21] Buttercup is the only Powerpuff Girl without a unique super power (aside from being able to curl her tongue as shown in the episode Nuthin' Special).[23]
Media

Anime and Manga
Main article: Powerpuff Girls Z
In April 2005, plans for a Japanese anime version, Demashita! Powerpuff Girls Z, were announced.[24] The series premiered in Japan the following year with 52 half-hour episodes, airing each Saturday from July 1 to December 23, 2006, and from January 6 to June 30, 2007. The series deviated from its American predecessor in terms of style, storyline, and characterization, but still retained the essential themes that made the original a success.[25] An English version has also been produced by Ocean Studios in Vancouver, Canada and has been broadcast on Cartoon Network Philippines and Boomerang Australia.[26] A manga adaptation, illustrated by Shiho Komiyuno, was serialized in Shueisha's Ribon magazine between June 2006 and July 2007.[27]
Another manga series called PowerPuff Girls Doujinshi was created in 2004 and released through Snafu Comics. The girls are shown to be a bit older than, but with the same personalities as their T.V. counterparts, and combines characters from other cartoon shows. The story has the girls now going to school in the neighboring city of Townsville known as Megaville.[28] The comic was the "Outstanding Superhero Comic" and "Outstanding Character Art" winner on the Web Cartoonist's Choice Awards in 2005.[29]
Film
Main article: The Powerpuff Girls Movie
The Powerpuff Girls Movie was released in the United States on July 3, 2002 by Warner Bros. and Cartoon Network.[30] The movie, a Prequel to the series tells the story of how the Powerpuff Girls were created, and how Mojo Jojo became a supervillain. After the girls were created by Professor Utonium to help the city against crime, they end up only causing chaos in Townsville. Down about how everyone refers to them as freaks, they turn to Mojo Jojo, a monkey who says he is there to help make people like them again. Unknown to the girls, Mojo Jojo was Professor Utonium's lab chimp helper who was mutated as a cause from the Powerpuff Girls being made and has become super smart as a result and jealous of them. Mojo Jojo ends up tricking the girls into helping him make a machine to mutate other chimps. Seeing what they have done the girls run away in shame but come back after seeing Professor Utonium in trouble, and they end up beating Mojo Jojo and his army of mutated smart chimps and saving the day, thus becoming Townsville's new defenders.[31]
The movie received mixed to positive reviews with a rating of 63% at Rotten Tomatoes [32] however it did receive negative reviews though for the violence involved.[33] In all, the movie grossed $16 million worldwide though with a $11 million budget, the movie was unsuccessful.[34]
Music CDs
Main article: List of The Powerpuff Girls soundtracks
Three CD soundtracks were officially released for the series. The first, entitled Heroes & Villains, features original songs about the Powerpuff Girls characters by a number of artists, including the New Wave group Devo, Bis, The Apples in Stereo, and Frank Black.[35] The first album did well topping the Billboard's children's music chart for six weeks.[1] Another album entitled The City of Soundsville features electronica-style character themes and also did well with critics[36][37] The third album entitled Power Pop features a more teen-oriented variety of pop songs. The album was considered a "big disappointment" and not received as well.[38]
Parodies
On January 30, 2012 a combo parody of the Powerpuff Girls and 2 Broke Girls was done in Cartoon Network's TV series MAD's second season. The parody is of Bubbles and Buttercup (Blossom is doing fine) who are broke and work for HIM in a diner after the show got placed on permanent hiatus.[39] The MAD episode with the parody ranked #26/30 for the week with 1.903 million viewers.[40]
Video games
Main article: List of The Powerpuff Girls video games
Video games were made for The Powerpuff Girls all being action in genre. The Powerpuff Girls: Bad Mojo Jojo, released on November 14, 2000 follows Blossom as she tries to beat Mojo Jojo[41] the game was called "Simple and boring" by Gamespot and was a failure critically.[42][43] The Powerpuff Girls: Paint the Townsville Green another game released in November 2000 follows Buttercup as she fights crime.[44] The Powerpuff Girls: Battle HIM follows Bubbles in her fight against HIM and was released in February, 2001.[45] The Powerpuff Girls: Chemical X-traction was released in October 2001, where the girls battle enemies in a variety of settings in order to reclaim Chemical X and track down Mojo Jojo. IGN gave the game a positive review while giving the PS One version a 2.0/10 bad review[46][47] The Powerpuff Girls: Relish Rampage was released in November 2002, you play as all three girls in a 3D world, the game received mixed reviews.[48] The Powerpuff Girls: Mojo Jojo A-Go-Go released in 2001 centers around the name of the Power Girls' mission to stop Mojo Jojo and his minions the game received mixed reviews.[49][50] PC games were also made for the series these include: The Powerpuff Girls: Mojo Jojo Clone Zone, The Powerpuff Girls: Princess Snorebucks, The Powerpuff Girls: Mojo Jojo's Pet Project, and The Powerpuff Girls: Gamesville.[51][52][53][54] In addition, other games were made that are not main Powerpuff Girls games but do feature the characters such as Cartoon Network Universe: FusionFall.[55]
Reception

The Powerpuff Girls has been met with generally positive response from critics and fans. In a 2000 Entertainment Weekly review, Marc Bernadin complimented the show on its "spot-on pop-culture acumen" and "unparalleled sense of fun", giving it a warm welcome from earlier "lame" superhero cartoons that he grew up with.[56] Peter Marks of The New York Times noted the show's use of adult humor and pop culture references, declaring it "the sort of playful satire that can appeal as much to a viewer of 37 as 7."[57] Joly Herman of Commonsense media describes the show as a "cute, highly stylized series thrills the senses with its strange characters, funny situations, and lots of lowbrow humor" she goes on to say however, that the show does go from innocent to violent in no time and that there is not much protecting young viewers against the violent undertones.[58] Robert Lloyd of the LA Times said that the series might be "transgressive" based on the violence but "also cute".[59] TV Guide chose The Powerpuff Girls as #17 in a list of the 50 Greatest cartoon characters of all time.[60] The series has won two Primetime Emmys, two Annie Awards, and including those four wins, has been nominated a total of sixteen times for various awards.

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The Powerpuff Girls Movie Full Movie